User:Bpnjohnson: Difference between revisions

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This is a language that is very much underway, but not much to present yet until it has a proper name (and not just a place-holder). It does have some very lovely liquid harmony, though.
This is a language that is very much underway, but not much to present yet until it has a proper name (and not just a place-holder). It does have some very lovely liquid harmony, though.


===Other===
===Others===
Over the years there have been dozens of other conlangs in various states of completion ranging from a few scribbled notes to monstrosities like '''Latinovesa''', my first and only Aux-Rom-Lang, of which we shall never speak again. Most of them didn't have names. Some of them had ridiculous names, like '''ɮaxu''' or '''Baraqesh''' or '''Iatu nukta amat'''. (Actually, that last one isn't entirely abandoned yet - it may yet reappear as an engelang project to see if I can create a reasonable language with no more than 9 phonemes.) Still others I'm not allowed to talk about...
Over the years there have been dozens of other conlangs in various states of completion ranging from a few scribbled notes to monstrosities like '''Latinovesa''', my first and only Aux-Rom-Lang, of which we shall never speak again. Most of them didn't have names. Some of them had ridiculous names, like '''ɮaxu''' or '''Baraqesh''' or '''Iatu nukta amat'''. (Actually, that last one isn't entirely abandoned yet - it may yet reappear as an engelang project to see if I can create a reasonable language with no more than 9 phonemes.) Still others I'm not allowed to talk about...

Revision as of 06:41, 10 April 2019

BenJamin P. Johnson (“Jamin”) was born in upstate New York some decades ago, and studied many various languages before switching his major to linguistics. He currently resides in Philadelphia, Pennsylvania with his husband Terrence. He has been a member of the Language Creation Society’s Board of Directors since 2015. He makes a brief appearance in the 2017 film Conlanging: The Art of Crafting Tongues.

My Conlangs

Brooding

Brooding is an a priori language originally created by Veronica Hamilton (formerly Scott) for the Riddlesbrood Touring Theater Company. Brooding is used in the company's theme song and logo, and was used in their 2012 production of The Dark Side Show, the 2015 and 2017 productions of Harken, and 2016 book Riddlesbrood: The Greatest Brochure in the World. Jamin has been curating and expanding the language on behalf of Riddlesbrood since the fall of 2014.

Dlatci

Dlatci is an a priori language that Jamin has been working on since 1994. It has undergone some massive changes over the years, though, and is currently in a state that isn’t entirely “presentable.” He hopes to fix this soon.

Grayis

Grayis is an a priori language commissioned by Infinite Mind Pictures, Inc., to be spoken by a race of aliens called the Grayis Kin.

Maltcégj

Maltcégj is an a priori language created out of boredom and full of vicious puns. Maltcégj started as a sort of blog, before there were blogs, and when he remembers, Jamin still tries to keep things up-to-date: http://maltcegj.everywitchway.net/

Northeadish (Druðþþȳðesc)

Northeadish is an a posteriori Germanic language with some medievalist flair.

Valthungian (Sō Grējuga Tunga)

Valthungian, or the Grey Tongue, another Germanic a posteriori, this time a close relative of Gothic. Not directly descended from Gothic, as such, but maybe a great-great-nephew. Jamin aspired to maintain a blog about it as it developed, but he’s seriously bad at that. http://valthungian.everywitchway.net/. Jamin formally presented Valthungian as a theoretical descendant of Gothic at the 53rd International Congress on Medieval Studies in Kalamazoo in 2018, which was attended by twos or even threes of people.

(No Name Yet...)

This is a language that is very much underway, but not much to present yet until it has a proper name (and not just a place-holder). It does have some very lovely liquid harmony, though.

Others

Over the years there have been dozens of other conlangs in various states of completion ranging from a few scribbled notes to monstrosities like Latinovesa, my first and only Aux-Rom-Lang, of which we shall never speak again. Most of them didn't have names. Some of them had ridiculous names, like ɮaxu or Baraqesh or Iatu nukta amat. (Actually, that last one isn't entirely abandoned yet - it may yet reappear as an engelang project to see if I can create a reasonable language with no more than 9 phonemes.) Still others I'm not allowed to talk about...