Literature talk:Little Red Riding Hood - Revision history

Учхљёная: Учхљёная moved page Kieng/Music to Literature talk:Little Red Riding Hood without leaving a redirect: Deleting per creator request.

2019-01-10T02:05:56Z

Учхљёная moved page Kieng/Music to Literature talk:Little Red Riding Hood without leaving a redirect: Deleting per creator request.

← Older revision	Revision as of 02:05, 10 January 2019
(No difference)

Учхљёная: Blanked the page

2019-01-10T02:05:39Z

Blanked the page

← Older revision		Revision as of 02:05, 10 January 2019
Line 1:		Line 1:
	~~{{speedy}}~~

IlL at 20:58, 4 February 2018

2018-02-04T20:58:45Z

← Older revision	Revision as of 20:58, 4 February 2018
Line 1:	Line 1:
		{{speedy}}

IlL: Blanked the page

2018-02-04T20:58:34Z

Blanked the page

← Older revision		Revision as of 20:58, 4 February 2018
Line 1:		Line 1:
	~~[[Wiobian\|↑ Wiobian]]~~

	Traditional Wiobian music places much emphasis on melody, often having two melodic voices in counterpoint for high-class music, though more modern music often calls for more dense orchestration. (read: cobbled together from gamelan, Southeast Asian and Baroque influences. Some Korean stuff will probably get in too) The music is based on a scale with fifteen notes per octave, that is capable of both small movements in melody and harmonic shifts ranging from the subtle to the dramatic. A wealth of inharmonic instruments such as metallophones (Ɉürl-Zrong-Smiḥ), marimbas (Geim-Zrong-Smiḥ), cymbals and drums serve as ingredients for this sonic landscape. However also valued are harmonic instruments (such as stringed instruments e.g. the plucked or bowed zither-like ''Tünd'', the strummed and fretted ''Þaus-Bung'', and the bowed ''Nisch&Ker''; as well as fixed-pitch wind instruments; and last but not least the human voice), for their ability to imitate the human voice and to emphasize canonically harmonic intervals.

	~~Musics of neighboring cultures such as Trây music are broadly similar.~~
	~~==Musical forms==~~
	~~==Instruments==~~
	~~How could instruments accomodate 15 notes per octave?~~
	~~===Idiophones===~~
	~~The idiophones are:~~
	* metallophones (''Ɉürl-Zrong-Smiḥ'') and marimbas (''Geim-Zrong-Smiḥ'')
	~~====''Zrong-Smiḥ''====~~
	~~A suitably modern ''Zrong-Smiḥ'' is made up of three parallel rows of keys tuned in equally spaced pentatonic scales.~~

	~~===String instruments===~~
	~~===Wind instruments===~~

	~~==Tuning and scales==~~
	*8 + 7 is the most space-saving "black and white" layout, ∴ porcupine?
	*5 + 5 + 5 could work too
	~~===Origins and development===~~
	~~Long story short:~~

	~~The Wiobian tuning system has its origins in the quasi-equal pentatonic scale, found in our world in e.g. [[w:gamelan\|gamelan]] music - this system is described in Classical Wiobian records:~~

	~~C D F G A C~~

	~~Then, Wiobian musicians in the "Wiobian Renaissance" started experimenting with more "interesting" sounds, such as major thirds (5/4, ~400¢), and a "major seventh" to serve as a leading tone:~~

	~~C D F G A C~~
	~~E\\| B\\|~~

	Coincidentally, the major third was a leading tone to F and the major seventh was a major third to G! Exploiting this fact, leading tones were successively added under each note of the equal pentatonic scale, eventually resulting in:

	~~C D F G A C~~
	~~D\\| E\\| G\\| A\\| B\\|~~

	~~Later, more dense orchestration increased the demand for chromatic movements. Thus eventually the full 15-tone gamut was complete:~~

	~~C/\| D/\| F/\| G/\| A/\|~~
	~~C D F G A C~~
	~~D\\| E\\| G\\| A\\| B\\|~~

	~~===Tuning method===~~
	~~===Modern===~~
	~~====Nominal names====~~
	*''do'' - 0\15
	*''ko'' - 3\15
	*''lo'' - 5\15
	*''go'' - 6\15
	*''wo'' - 9\15
	*''dżo'' - 11\15
	*''no'' - 12\15
	*''cho'' - 14\15
	*''do'' - 15\15

IlL: IlL moved page Tei/Music to Kieng/Music without leaving a redirect

2017-12-06T06:35:13Z

IlL moved page Tei/Music to Kieng/Music without leaving a redirect

← Older revision	Revision as of 06:35, 6 December 2017
(No difference)

IlL: IlL moved page Teiem-Nkahn/Music to Tei/Music

2017-08-17T06:37:38Z

IlL moved page Teiem-Nkahn/Music to Tei/Music

← Older revision	Revision as of 06:37, 17 August 2017
(No difference)

IlL: IlL moved page Swünter/Music to Teiem-Nkahn/Music

2017-08-13T06:44:40Z

IlL moved page Swünter/Music to Teiem-Nkahn/Music

← Older revision	Revision as of 06:44, 13 August 2017
(No difference)

IlL: IlL moved page Wiobian/Music to Swünter/Music

2017-08-10T17:17:11Z

IlL moved page Wiobian/Music to Swünter/Music

← Older revision	Revision as of 17:17, 10 August 2017
(No difference)

IlL: /* Modern */

2015-08-31T23:05:44Z

Modern

@@ Line 44: / Line 44: @@
 ===Tuning method===
 ===Modern===
-''do''-''ko''-''lo''-''go''-''wo''-''dżo''-''no''-''cho''-''do''
+====Nominal names====

IlL: /* Modern */

2015-08-31T23:03:25Z

Modern

← Older revision		Revision as of 23:03, 31 August 2015
Line 44:		Line 44:
	===Tuning method===		===Tuning method===
	===Modern===		===Modern===
			''do''-''ko''-''lo''-''go''-''wo''-''dżo''-''no''-''cho''-''do''