Verse:Tricin/Musical traditions archaeology - Revision history

H. H. P. M. P. Cole at 01:21, 27 August 2025

2025-08-27T01:21:39Z

← Older revision		Revision as of 01:21, 27 August 2025
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	==Undisputed==		==Undisputed==
	===Proto-Wiebian music===		===Proto-Wiebian music===
	The Hlou and Æ traditions are thought to have come from a single tradition, and the divergence date is likely taken to be 1200 years ago (about fT 1000), when the Hlou and Æ migrated from Talma to Mpfa Wieb. The divergence likely came about due to relative isolation of the Wiebian land from Etatalma, as while the PHS (Proto-Hlou-Shum)-speaking Wiebians likely traded with the PHS-speaking Talmans, there was no such trading when it came to the Æ-speaking Wiebians, as there were no Proto-Rieng-Chrâtt speakers in Talma or they were likely fully absorbed.

	~~The urheimat is likely to be in the state of ???, in Talma.~~
	===Proto-Etatalman music===		===Proto-Etatalman music===
	==Disputed==		==Disputed==
	===Proto-Trician music===		===Proto-Trician music===

H. H. P. M. P. Cole at 01:00, 1 July 2025

2025-07-01T01:00:35Z

← Older revision	Revision as of 01:00, 1 July 2025
Line 1:	Line 1:
		==Undisputed==
		===Proto-Wiebian music===
		The Hlou and Æ traditions are thought to have come from a single tradition, and the divergence date is likely taken to be 1200 years ago (about fT 1000), when the Hlou and Æ migrated from Talma to Mpfa Wieb. The divergence likely came about due to relative isolation of the Wiebian land from Etatalma, as while the PHS (Proto-Hlou-Shum)-speaking Wiebians likely traded with the PHS-speaking Talmans, there was no such trading when it came to the Æ-speaking Wiebians, as there were no Proto-Rieng-Chrâtt speakers in Talma or they were likely fully absorbed.

		The urheimat is likely to be in the state of ???, in Talma.
		===Proto-Etatalman music===
		==Disputed==
		===Proto-Trician music===

H. H. P. M. P. Cole: H. H. P. M. P. Cole moved page Æ/Music to Verse:Tricin/Musical traditions archaeology without leaving a redirect

2025-06-30T07:52:08Z

H. H. P. M. P. Cole moved page Æ/Music to Verse:Tricin/Musical traditions archaeology without leaving a redirect

← Older revision	Revision as of 07:52, 30 June 2025
(No difference)

H. H. P. M. P. Cole: Blanked the page

2025-06-30T07:50:50Z

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H. H. P. M. P. Cole at 07:36, 30 June 2025

2025-06-30T07:36:26Z

← Older revision		Revision as of 07:36, 30 June 2025
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	'''Traditional Æ music''' is comprised of various styles.		'''Traditional Æ music''' is comprised of various styles.
	== Modes ==		== Modes ==
	Traditional Æ music is entirely based on the following nine seven-note modes found in harmonics 8-16 (the complete list of 7-note subsets that are constant structure and have a 3/2 on the tonic). These were formalized by theorist Rå̃v Ngúm Sæ̊m in year ~~3657~~ in the ~~Angai Enlightenment~~ calendar, and the nine modes are referred to as ''rụ̊r vọj Rå̃v'' 'the Rå̃v modes' (note: Æ people are referred to by their given names).		Traditional Æ music is entirely based on the following nine seven-note modes found in harmonics 8-16 (the complete list of 7-note subsets that are constant structure and have a 3/2 on the tonic). These were formalized by theorist Rå̃v Ngúm Sæ̊m in year 2046 in the Trician calendar, and the nine modes are referred to as ''rụ̊r vọj Rå̃v'' 'the Rå̃v modes' (note: Æ people are referred to by their given names).
	# ''vọj Bæ̀v'': 8:9:10:11:12:13:14:16		# ''vọj Bæ̀v'': 8:9:10:11:12:13:14:16
	#* This ''vọj'' is used in a meditative mood as it is also the simplest to describe mathematically.		#* This ''vọj'' is used in a meditative mood as it is also the simplest to describe mathematically.

IlL at 12:26, 29 June 2025

2025-06-29T12:26:33Z

← Older revision		Revision as of 12:26, 29 June 2025
Line 1:		Line 1:
	'''Traditional Æ music''' is comprised of various styles.		'''Traditional Æ music''' is comprised of various styles.
	== Modes ==		== Modes ==
	Traditional Æ music is entirely based on the following nine seven-note modes found in harmonics 8-16 (the complete list of 7-note subsets that are constant structure and have a 3/2 on the tonic). These were formalized by theorist Rå̃v Ngúm Sæ̊m in year 3657 in the Angai Enlightenment calendar, and the nine modes are referred to as ''rů&#~~777~~;r vọj Rå̃v'' 'the Rå̃v modes' (note: Æ people are referred to by their given names).		Traditional Æ music is entirely based on the following nine seven-note modes found in harmonics 8-16 (the complete list of 7-note subsets that are constant structure and have a 3/2 on the tonic). These were formalized by theorist Rå̃v Ngúm Sæ̊m in year 3657 in the Angai Enlightenment calendar, and the nine modes are referred to as ''rụ̊r vọj Rå̃v'' 'the Rå̃v modes' (note: Æ people are referred to by their given names).
	# ''vọj Bæ̀v'': 8:9:10:11:12:13:14:16		# ''vọj Bæ̀v'': 8:9:10:11:12:13:14:16
	#* This ''vọj'' is used in a meditative mood as it is also the simplest to describe mathematically.		#* This ''vọj'' is used in a meditative mood as it is also the simplest to describe mathematically.

IlL at 12:24, 29 June 2025

2025-06-29T12:24:08Z

← Older revision		Revision as of 12:24, 29 June 2025
Line 1:		Line 1:
	'''Traditional Æ music''' is comprised of various styles.		'''Traditional Æ music''' is comprised of various styles.
	== Modes ==		== Modes ==
	Traditional Æ music is entirely based on the following nine seven-note modes found in harmonics 8-16 (the complete list of 7-note subsets that are constant structure and have a 3/2 on the tonic). These were formalized by theorist Rå̃v Ngúm Sæ̊m in year 3657 in the Angai Enlightenment calendar, and the nine modes are referred to as ''rů̉r vọj Rå̃v'' (note: Æ people are referred to by their given names).		Traditional Æ music is entirely based on the following nine seven-note modes found in harmonics 8-16 (the complete list of 7-note subsets that are constant structure and have a 3/2 on the tonic). These were formalized by theorist Rå̃v Ngúm Sæ̊m in year 3657 in the Angai Enlightenment calendar, and the nine modes are referred to as ''rů̉r vọj Rå̃v'' 'the Rå̃v modes' (note: Æ people are referred to by their given names).
	# ''vọj Bæ̀v'': 8:9:10:11:12:13:14:16		# ''vọj Bæ̀v'': 8:9:10:11:12:13:14:16
	#* This ''vọj'' is used in a meditative mood as it is also the simplest to describe mathematically.		#* This ''vọj'' is used in a meditative mood as it is also the simplest to describe mathematically.

IlL at 12:23, 29 June 2025

2025-06-29T12:23:43Z

← Older revision		Revision as of 12:23, 29 June 2025
Line 1:		Line 1:
	'''Traditional Æ music''' is comprised of various styles.		'''Traditional Æ music''' is comprised of various styles.
	== Modes ==		== Modes ==
	Traditional Æ music is entirely based on the following nine seven-note modes found in harmonics 8-16 (the complete list of 7-note subsets that are constant structure and have a 3/2 on the tonic). These were formalized by theorist Rå̃v Ngúm Sæ̊m in year 3657 in the Angai Enlightenment calendar, and the nine modes are referred to as ''~~vọj-~~vọj Rå̃v'' (note: Æ people are referred to by their given names).		Traditional Æ music is entirely based on the following nine seven-note modes found in harmonics 8-16 (the complete list of 7-note subsets that are constant structure and have a 3/2 on the tonic). These were formalized by theorist Rå̃v Ngúm Sæ̊m in year 3657 in the Angai Enlightenment calendar, and the nine modes are referred to as ''rů̉r vọj Rå̃v'' (note: Æ people are referred to by their given names).
	# ''vọj Bæ̀v'': 8:9:10:11:12:13:14:16		# ''vọj Bæ̀v'': 8:9:10:11:12:13:14:16
	#* This ''vọj'' is used in a meditative mood as it is also the simplest to describe mathematically.		#* This ''vọj'' is used in a meditative mood as it is also the simplest to describe mathematically.
Line 29:		Line 29:
	The octave in Æ music plays a central role as the interval of equivalence, so this document will use the English term "octave" for lack of a Æ term that is universally agreed upon by Æ musicians. This means that there are only eight pitch classes in traditional Æ music.		The octave in Æ music plays a central role as the interval of equivalence, so this document will use the English term "octave" for lack of a Æ term that is universally agreed upon by Æ musicians. This means that there are only eight pitch classes in traditional Æ music.

	Sometimes pieces modulate from any mode from the first group to the third group, and vice versa.		Sometimes pieces modulate from any mode from the first group to the third group, and vice versa.

	== Instruments ==		== Instruments ==

IlL: IlL moved page Verse:Angai/Æ/Music to Æ/Music without leaving a redirect: Æ diachronics is too mundane for Angai

2025-06-29T12:04:57Z

IlL moved page Verse:Angai/Æ/Music to Æ/Music without leaving a redirect: Æ diachronics is too mundane for Angai

← Older revision	Revision as of 12:04, 29 June 2025
(No difference)

IlL: IlL moved page Verse:Mwail/1/Æ/Music to Verse:Angai/Æ/Music without leaving a redirect

2025-06-24T10:13:07Z

IlL moved page Verse:Mwail/1/Æ/Music to Verse:Angai/Æ/Music without leaving a redirect

← Older revision	Revision as of 10:13, 24 June 2025
(No difference)