138,759
edits
m (→History) |
|||
Line 25: | Line 25: | ||
==History== | ==History== | ||
The reason that JI and other high-dimensional tunings have been a mainstay in Talman music for so long was that no equal temperament of reasonable size supported all of the things that they wanted to do. | |||
===Early=== | ===Early=== | ||
Much of Talman just intonation evolved from an older tradition of throat-singing. Just intonation was initially an attractive choice as it was considered easy to tune and evaluate musicians on. Primes higher than 5 may have come from an early tradition of throat singing where having a deep voice and the ability to throat-sing higher harmonics (11-14) clearly was seen as a mark of masculinity. | Much of Talman just intonation evolved from an older tradition of throat-singing. Just intonation was initially an attractive choice as it was considered easy to tune and evaluate musicians on. Primes higher than 5 may have come from an early tradition of throat singing where having a deep voice and the ability to throat-sing higher harmonics (11-14) clearly was seen as a mark of masculinity. |
edits