139,790
edits
Verse:Hmøøh/Pategia: Difference between revisions
m
no edit summary
m (IlL moved page Verse:Tricin/Palkha to Verse:Tricin/Trăngsi'uł without leaving a redirect) |
mNo edit summary |
||
| Line 1: | Line 1: | ||
'''Palkha''' (''PARK-uh''; [[ | '''Palkha''' (''PARK-uh''; [[Windermere]]: ''Parca'' /ˈpʰaɾkʰə/, [[Palkhan]]: ''Paḷkha'' /paɭkʰa/, [[Roshterian]]: ''Qaanuuṯu'') is a predominantly Windermere-speaking [[Bjeheond]]ian country. It is located near [[Verse:Tricin/Qaaroshter]]. | ||
==Geography== | ==Geography== | ||
| Line 11: | Line 11: | ||
Inspiration: Carnatic music, gayageum sanjo | Inspiration: Carnatic music, gayageum sanjo | ||
The quintessential Palkhan musical instruments are the ''tsaltho'' (''chaḷdō'' in Palkhan), very similar to the cello, and the Palkhan drum (''feam Parca'' in | The quintessential Palkhan musical instruments are the ''tsaltho'' (''chaḷdō'' in Palkhan), very similar to the cello, and the Palkhan drum (''feam Parca'' in Windermere; ''pātre'' in Palkhan). | ||
Palkhan music is highly multi-ethnic and uses elements from both native styles and Talman ones. Native Palkhan music tends to be richly ornamented, and is based on a unique set of 25 "tones", some of which are defined as vibratos with fixed endpoints. The underlying scale, though, has only 10 tones per octave. | Palkhan music is highly multi-ethnic and uses elements from both native styles and Talman ones. Native Palkhan music tends to be richly ornamented, and is based on a unique set of 25 "tones", some of which are defined as vibratos with fixed endpoints. The underlying scale, though, has only 10 tones per octave. | ||
| Line 45: | Line 45: | ||
==Famous Palkhans== | ==Famous Palkhans== | ||
Dăraf '''Ko''' - neoclassical composer of (Bjeheondian) | Dăraf '''Ko''' - neoclassical composer of (Bjeheondian) Windermere descent | ||
Minimalist composers? | Minimalist composers? | ||