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Verse:Hmøøh/Talma/Music: Difference between revisions
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===Romantic period=== | ===Romantic period=== | ||
The Romantic period was the longest period of Talman classical music. | The Romantic period was the longest period of Talman classical music. Forty-one tone equal temperament (41edo) began to be established for organs and other fixed-pitch instruments. | ||
====Early==== | ====Early==== | ||
Romantic composers emphasized emotion, humor, exuberance and contemplation. Romantic music often had an individualist ethos, which prompted the development of solo techniques. Early Romantic period composers used a free JI approach with microtempering, only sometimes flirting with more tempered scales. However, the use of equal temperaments were spurred on by the theorist Bloisin and the invention of the isomorphic keyboard in the later Romantic period. | Romantic composers emphasized emotion, humor, exuberance and contemplation. Romantic music often had an individualist ethos, which prompted the development of solo techniques. Early Romantic period composers used a free JI approach with microtempering, only sometimes flirting with more tempered scales. However, the use of equal temperaments were spurred on by the theorist Bloisin and the invention of the isomorphic keyboard in the later Romantic period. | ||
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====Gothicism==== | ====Gothicism==== | ||
Many late Romantic composers were involved in "Gothicism", for lack of a better term. Gothicism was a reaction against the polished, optimistic aesthetic of the Classical and early Romantic periods, and is inspired by Talman late Romantic era horror, supernatural and sci-fi literature. Gothic music uses a lot of dissonant or subtly beating chords in | Many late Romantic composers were involved in "Gothicism", for lack of a better term. Gothicism was a reaction against the polished, optimistic aesthetic of the Classical and early Romantic periods, and is inspired by Talman late Romantic era horror, supernatural and sci-fi literature. Gothic music uses a lot of dissonant or subtly beating chords in 41edo and blaring, raspy, sighing or murmuring timbres. This is often viewed as continuous with the Early Modern period. | ||
===Modern period=== | ===Modern period=== | ||
====Temperaments==== | ====Temperaments==== | ||
41edo is the norm for fixed pitch instruments. | |||
Experimental composers work with a variety of equal temperaments and rank-2 temperaments, including nonoctave scales (like the Bohlen-Pierce scale). | Experimental composers work with a variety of equal temperaments and rank-2 temperaments, including nonoctave scales (like the Bohlen-Pierce scale). They may even combine different systems. | ||
====Just intonation==== | ====Just intonation==== | ||
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===Fixed-pitch=== | ===Fixed-pitch=== | ||
Smaller fixed pitch instruments (less than 22 notes/octave) are tuned to specific JI scales; larger fixed-pitch instruments such as organs are usually tuned to | Smaller fixed pitch instruments (less than 22 notes/octave) are tuned to specific JI scales; larger fixed-pitch instruments such as organs are usually tuned to 41edo. | ||
*viola organista (keyboard instrument with a rosined conveyer belt mechanism for the strings) | *viola organista (keyboard instrument with a rosined conveyer belt mechanism for the strings) | ||
*organ Ⓥ (with ivory-free keys) | *organ Ⓥ (with ivory-free keys) | ||