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Verse:Hmøøh/Tumhan/Music: Difference between revisions
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→Harmony in the semiquartal scale
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== Harmony in the semiquartal scale== | == Harmony in the semiquartal scale== | ||
Semiquartal modal harmony is a more modern construct. A particular style of it was pioneered by the Brycþéñ lly Frindu Jydylisríz and has gained some popularity in the Windermere Commonwealth, and "popular hanier" has begun incorporating it. | Semiquartal modal harmony (''vynbear'' 'togetherness') is a more modern construct. A particular style of it was pioneered by the Brycþéñ lly Frindu Jydylisríz and has gained some popularity in the Windermere Commonwealth, and "popular hanier" has begun incorporating it. | ||
Modes of the 9-note scale are called ''hačama'' (sg. ''hačame'', lit. facial expression). These are distinct from the traditional ''hanier''s. | Modes of the 9-note scale are called ''hačama'' (sg. ''hačame'', lit. facial expression). These are distinct from the traditional ''hanier''s. | ||
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Functional harmony is based on using 4L 1s modes and their subsets on functional degrees. | Functional harmony is based on using 4L 1s modes and their subsets on functional degrees. | ||
== Rhythm == | == Rhythm == | ||
Bjeheondian rhythm is based on complex rhythmic cycles known as ''tălea'' in Windermere (from Ntg. ''talea'', from t-l-j), often consisting of more than 10 beats per "measure". (Steal from konnakol) | Bjeheondian rhythm is based on complex rhythmic cycles known as ''tălea'' in Windermere (from Ntg. ''talea'', from t-l-j), often consisting of more than 10 beats per "measure". (Steal from konnakol) | ||