Verse:Irta/Judeo-Mandarin/Filichdiș: Difference between revisions
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Learăgüsiș forms are extremely marked: they're considered archaic and poetic at best, and deliberately "overusing" them is used for evoking certain Ăn Yidiș literary works, or e.g. in neopagan/new-religious-movement material. These forms, including case forms and synthetic verb forms, are best preserved in Munster Irish | Learăgüsiș forms are extremely marked: they're considered archaic and poetic at best, and deliberately "overusing" them is used for evoking certain Ăn Yidiș literary works, or e.g. in neopagan/new-religious-movement material. These forms, including case forms and synthetic verb forms, are best preserved in Munster Irish but were rapidly being lost by Proto-Ăn Yidiș times; Ăn Yidiș writers created these forms by cognatizing older Irish or Munster Irish forms. | ||
The Yăhuaș translation of the Tanakh uses Learăgüsiș for the poetic passages that use archaic/archaizing language in Hebrew (such as Ha'azinu and the Song of the Sea). | The Yăhuaș translation of the Tanakh uses Learăgüsiș for the poetic passages that use archaic/archaizing language in Hebrew (such as Ha'azinu and the Song of the Sea). | ||
Revision as of 05:22, 4 December 2021
Learăgüsiș forms are extremely marked: they're considered archaic and poetic at best, and deliberately "overusing" them is used for evoking certain Ăn Yidiș literary works, or e.g. in neopagan/new-religious-movement material. These forms, including case forms and synthetic verb forms, are best preserved in Munster Irish but were rapidly being lost by Proto-Ăn Yidiș times; Ăn Yidiș writers created these forms by cognatizing older Irish or Munster Irish forms.
The Yăhuaș translation of the Tanakh uses Learăgüsiș for the poetic passages that use archaic/archaizing language in Hebrew (such as Ha'azinu and the Song of the Sea).