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Verse:Irta/Music: Difference between revisions
→Classical and Romantic music
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* scalar and harmonic context, | * scalar and harmonic context, | ||
* mood, and | * mood, and | ||
* region (e.g. western parts of Hyperfrance use wider leading tones and narrower fifths compared to Riphea). | * region (e.g. western parts of Hyperfrance use wider leading tones and narrower fifths compared to Riphea). This makes it especially hard for Irtan classical composers to codify an intonational system. | ||
Many composers in Irta regard fixed pitch instruments as inadequate for capturing the nuances of intonation, and these composers mostly write for strings, voice, and trombone. Some developed cross-fingering techniques for woodwinds to better approximate expressive intonation. | Many composers in Irta regard fixed pitch instruments as inadequate for capturing the nuances of intonation, and these composers mostly write for strings, voice, and trombone. Some developed cross-fingering techniques for woodwinds to better approximate expressive intonation. | ||