Glommish/Musical system: Difference between revisions

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żard = maqam
żard = maqam


Maqam names used in Thedish music aren't translated: Rást, Baját, Ażem, Kurd, Syká, Sabe, Hiżáz, Nahavend
Maqam names used in Thedish music aren't translated: Rástı, Bajátı, Ażem, Kurdı, Sieká, Sabe, Hiżáz, Nahavend


==Lõisian composers and theorists==
sometimes they use ''dur'' and ''mól'' instead of Ażem and Nahavend


*Ancz-Sievrien '''Béþь''', early medieval author of ''An mūsikej'' (On Music)
===Common musical forms===
*Hymarík '''Myna''', medieval tuning theorist who proposed a division of the whole tone into 5
 
*Þyprík '''[something Brusingian]''', medieval composer of isorhythmic motets
furgang = bashraf; prelude
*Andrie '''Hóchenhym''', founder of the ''Smœ­̄hcroft'' movement in medieval music featuring complex rhythmic, harmonic and notational devices
 
*Valþerь '''av þier Fugelvyþe''', Middle Thedish ''miénesimberь'' who wrote love and political songs
fiól = dulab; rondo
*Fráþvin '''Lióbacz''', Thedish ''Smœ­̄hcroft'' composer, famous for his [suite] featuring ''klózele'' in various equal temperaments (from 10 to 20 notes per octave)
 
*(anonymous), author of ''Hlioþrъharpa'', an elaborate 4-part canon written in the shape of a harp
útþank = taqsim; impromptu
*Filiep '''Glaz'''
 
*Biarhard '''Ytfield'''
lióþ = song
 
lióþer = melody (from *hleu-þrą <- PIE *klew-trom)
 
==Styles==
 
===Thedish opera===
Very similar to Italian opera and often written in "Theditalian", a form of Italian with Germanic syntax; some modern composers write operas in Arabic and Persian
 
===Hybrid musical forms===
Contemporary Thedish music incorporates both Arab and European influences; for instance symphonies are written in maqams
 
==Thedish musicians==
 
[to revamp]

Latest revision as of 08:43, 12 July 2023

Music in Thedish speaking cultures differed strongly depending on region; Italian Thedish music was closer to European musical styles whereas North African Thedish music had more in common with Middle Eastern musical styles. Both styles are common among Thedes today.

Musical terms

Thedish musicians prefer to translate or calque musical terms.

Italian Thedish music

slap = piano (soft)

stark = forte (loud)

fanþiend = andante (walking)

pik = allegro, vivace (lively)

úthużengfól = expressive

slýþsam = adagio (slow)

snióen yncz = not rushed

þí spriakstamnie = Sprechstimme

þí simbskapie = chorus

North African Thedish music

żard = maqam

Maqam names used in Thedish music aren't translated: Rástı, Bajátı, Ażem, Kurdı, Sieká, Sabe, Hiżáz, Nahavend

sometimes they use dur and mól instead of Ażem and Nahavend

Common musical forms

furgang = bashraf; prelude

fiól = dulab; rondo

útþank = taqsim; impromptu

lióþ = song

lióþer = melody (from *hleu-þrą <- PIE *klew-trom)

Styles

Thedish opera

Very similar to Italian opera and often written in "Theditalian", a form of Italian with Germanic syntax; some modern composers write operas in Arabic and Persian

Hybrid musical forms

Contemporary Thedish music incorporates both Arab and European influences; for instance symphonies are written in maqams

Thedish musicians

[to revamp]

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