Literature talk:Little Red Riding Hood: Difference between revisions

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Traditional Wiobian music is melodious with relatively sparse accompaniment, often having two melodic voices in counterpoint for high-class music, though more recent music often calls for more dense orchestration. The music is based on a scale with fifteen notes per octave, that is capable of both small movements in melody and harmonic shifts ranging from the subtle to the dramatic. A wealth of inharmonic instruments such as metallophones, marimbas, cymbals and drums serve as ingredients for this sonic landscape. However also valued are harmonic instruments (such as stringed instruments e.g. the plucked zither-like ''Tünd'', the strummed and fretted ''Þaus-Bung'', and the bowed ''Nisch-Ker''; as well as fixed-pitch wind instruments), for their ability to imitate the human voice and to emphasize especially harmonic chords.
Traditional Wiobian music is melodious with relatively sparse accompaniment, often having two melodic voices in counterpoint for high-class music, though more recent music often calls for more dense orchestration. The music is based on a scale with fifteen notes per octave, that is capable of both small movements in melody and harmonic shifts ranging from the subtle to the dramatic. A wealth of inharmonic instruments such as metallophones, marimbas, cymbals and drums serve as ingredients for this sonic landscape. However also valued are harmonic instruments (such as stringed instruments e.g. the plucked zither-like ''Tünd'', the strummed and fretted ''Þaus-Bung'', and the bowed ''Nisch-Ker''; as well as fixed-pitch wind instruments), for their ability to imitate the human voice and to emphasize especially harmonic intervals.
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