Verse:Hmøøh/Prăfin of Bălang: Difference between revisions

Latest revision as of 19:47, 25 January 2023

This is a Windermere name. This person is properly referred to by their given name, Prăfin.

Prăfin of Bălang (Prăfin fa Bălang /pʁəˈvin və bəˈlɒŋ/) was a Windermere-Bjeheondian psychologist, musicologist and composer.

Todo

Life

Prăfin was born and raised in the city of Bălang in Talma, he was invited to study music in Palkha at 12 by Yăchef rith Sămtsay, a composer who gained notoriety in Talma for ???. Four years later he got a scholarship to go to Bjeheond and study its culture, mythology and music.

Prăfin disliked modern Talman music, and by extension, everything since the Romantic period, since he saw the whole tradition as encouraging elitism. He disapproved of major Talman composers such as Sáengeor, Sgutsis, and Drjangdhae, and theoretical constructs such as regular temperaments. As a reaction to these trends, Prăfin became an exponent of the Expressionist (placeholder name) movement in Talma. His later works were inspired by various traditional musics all over Tricin, including Dodellia and Txapoalli. He's also one of the most prolific non-Fyxoomian composers for the aġġiakkātą.

Languages: Windermere (native), Shalaian (somewhat fluent), Pategian (academic)

Musical pieces

Composed in Palkha:

Early works inspired by Talman Romantics

Composed in Bjeheond:

Chnuream Hănier (Hanier Ditty, Ntg. Doxun Hanier) - solo piece for ŋamsóm or double bass, inspired by Bjeheondian music

@@ Line 1: / Line 1: @@
-'''Prăfin fab-Bălang''' /pʰrəˈvin fap pəˈʟaŋ/ was a [[Windermere]] psychologist, musicologist and composer.
+:''This is a [[Windermere/Names|Windermere name]]. This person is properly referred to by their given name, Prăfin.''
+'''Prăfin of Bălang''' (''Prăfin fa Bălang'' /pʁəˈvin və bəˈlɒŋ/) was a Windermere-Bjeheondian psychologist, musicologist and composer.
 ==Todo==
 ==Life==
-Prăfin was born and raised in the city of Rǎ'ac Thea in Wen Dămea; he was invited to study music in Palkha at 12 by Yăchef rith Sămtsay, a composer who gained notoriety in Talma for ???. Four years later he got a scholarship to go to Bjeheond and study [[Verse:Tricin/Bjeheond/Music|Bjeheondian music]].
+Prăfin was born and raised in the city of Bălang in Talma, he was invited to study music in Palkha at 12 by Yăchef rith Sămtsay, a composer who gained notoriety in Talma for ???. Four years later he got a scholarship to go to Bjeheond and study its culture, mythology and [[Verse:Tricin/Bjeheond/Music|music]].
-Făb-Bălang disliked modern Talman music for its elitism - and by extension, everything since the Romantic period, since he saw the whole tradition as encouraging elitism. He disapproved of major Talman composers such as Sáengeor, Skéucis, and Djangdae, and theoretical constructs such as regular temperaments. As a reaction to these trends, făb-Bălang became an exponent of the Neoclassical movement in Talma.
+Prăfin disliked modern Talman music, and by extension, everything since the Romantic period, since he saw the whole tradition as encouraging elitism. He disapproved of major Talman composers such as Sáengeor, Sgutsis, and Drjangdhae, and theoretical constructs such as regular temperaments. As a reaction to these trends, Prăfin became an exponent of the Expressionist (placeholder name) movement in Talma. His later works were inspired by various traditional musics all over Tricin, including Dodellia and Txapoalli. He's also one of the most prolific non-Fyxoomian composers for the ''aġġiakkātą''.
+Languages: Windermere (native), Shalaian (somewhat fluent), Pategian (academic)
 ==Musical pieces==
 Composed in Palkha:
-*''Doan șăngut Łep'' (One to Eight) - a postminimalist piece in the Răthamrona tradition, for dulcimer, eight flutes or cellos and eight ''pātre''s
-*''Āku viḍavē Saraṇāva'' (''Ec fi Sarana yăthang'', Over the calm Sarana) and ''Sakhēḷi hā Vaṇē Baḷāng'' (''Rie pădar teał łän, ey Bălang hachüs'', Dear Balang, I must leave you) - Palkhan classical pieces, commissioned by the vocalist ___
+Early works inspired by Talman Romantics
-**The lyrics of ''Āku viḍavē Saraṇāva'' were written by the Palkhan poet Ṇajabaḷda, while ''Sakhēḷi hā Vaṇē Baḷāng'' was written by lyricist and Palkhan scholar H.V. Sarapaṇaṭṭa, a friend of Yăchef rith Sămtsay.
- Sakhēḷi hā Vaṇē Baḷāng,
- Rasōṇu yāta ṭhēvaṇā!
- Ho Khēdayā ḷdaṇē cavā
- Yaḍūn saḷā tarōḷdumā
- Ṇatēta vāṇnatō vaṭē,
- Hutēri hā Ḷdurāṇahē,
- Atē, ''yaf binsithnga 'mnutłach''
- Itē Pravīṇa-ṇōjavē
 Composed in Bjeheond:
-*''Fi Rănang Dihatuay'' (The Invisible Wolf) - story and tone poem
-*''Taab Llhaid Vib Nan'' (''Chnuream Fina'', Vi-Na Air) - solo piece for ''ŋamsóm'' or double bass, inspired by Shumian [[Verse:Tricin/Bjeheond/Music|vi-na]] music and Wiebian ''tsoafta''
+*''Chnuream Hănier'' (Hanier Ditty, Ntg. ''Doxun Hanier'') - solo piece for ''ŋamsóm'' or double bass, inspired by Bjeheondian music
 [[Category:Composers]]