Verse:Hmøøh/Tumhan/Music: Difference between revisions

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{{Windermere sidebar}}
{{Naeng sidebar}}Written by Inthar
'''Bjeheondian music''' is based on [[Netagin]] music. In modern times it is usually notated based on 19 equal divisions of the octave (19edo), however real-world intonational practices differ by region and context. Liturgical and folk music is usually based on scales similar to the semiquartal (5L 4s MOS) scale, the nine-note scale 331313131 which is an extension of the familiar pentatonic scale. This article mainly deals with the use of the semiquartal scale in Netagin music.
 
Folk music is not fixed to a particular tuning and may use traditional microtonal inflections or fine-tuned intervals.
 
A ''hanier'' /hɐ'nɪɾ/ (literally 'stepping') consists of a nine-note scale plus which subsets to emphasize, either a set of two ''pezům'' /pɛ'zuəm/ (pentachords, lit. 'set of five') or a framework based on a ''buri'' /by'ɾi/ (lit. 'sprint'), a pentatonic subset where 1\19 is not used as a step. Different styles encourage different subset use.
 
Some important modern ''hanier'' artists include composers Baqůr Dygieč and Qypaš Nabak and singer Stow Fitsmil.
 
==''Pezům''s==
In theory, there are six possible ''pezům''s, with large (3\19) and small (1\19) steps that build up a scale. One adds an additional note above the fourth, usually a perfect fifth, but sometimes a tritone.
# ''pezům Qykabavin'': 3311
# ''pezům Lannin'': 3131 (The modern ''Lannie'' mode of the semiquartal scale is made of two ''pezům Lannin''.)
# ''pezům Qahdiebin'': 3113
# ''pezům Zierokin'': 1331 (The modern ''Zierokie'' mode begins with a ''pezům Zierokin''.)
# ''pezům Vašmin'': 1313 (The modern ''Vašmie'' mode is made of two ''pezům Vašmin''.)
# ''pezům Nobbaxin'': 1133
In practice, usually only the first five are used. The two ''pezům''s may be disjunct (separated by a major second), or conjunct (either spanning a minor seventh above the root or the major second above the root).
 
A style that emphasizes ''pezům''s is preferred for folk music.
 
Other ''pezům''s which include 2\19 (about 126 cents) steps:
*C-D-Ebb-E-F
*C-Db-Ebb-E#-F
*C-Db-Ebb-E-F
 
== History ==
There is evidence that the Netagin at first used a quasi-equiheptatonic system similar to our Thai music. 7 more notes were added to the octave for extra chromatic gestures, producing a quasi-14edo system. The chromatic gestures used in melodic music developed over time resulting in the ''hanier'' system.
 
Bitaleta influence eventually led the Netagin to adopt 19edo as their abstract gamut. Though the Netagin traditionally did not view the 9-note framework as a tempered JI framework, later Windermere influence shifted performance practice towards 2.3.7 JI in certain (esp. harmonic) contexts, established 7-limit JI notes as acceptable variations of the existing notes. Nowadays, some Netagin-speaking areas and contexts are close to following the tempered 2.3.7 interpretation (called semaphore[9] in regular temperament theory), using different JI preimages for the same scale note. However, some attempt to revive a JI-agnostic interpretation.


'''Tumhanian music''' is a monophonic tradition based on [[Anbirese]]/[[Netagin]] music called the ''hanier'' (Ntg. 'stepping') tradition, which in modern times is based on pentatonic scale subsets of 24 equal divisions of the octave. The premise of the ''hanier'' tradition is "What if Arabic maqam was pentatonic and neutralized 2L3s (the Western pentatonic scale), instead of being heptatonic and neutralizing 5L2s (the diatonic scale)?"
== ''Buri''s ==
== ''Buri''s ==
[[File:pezeom.png|thumbnail|The ''Lannie'' mode of the 9-note scale, with the ''buri'' 0-250-500-700-950-1200 highlighted (notated in 19edo).]]
The ''buri'' (Ntg. 'sprint') is roughly equivalent to the ''jins'' in Arabic music. However, they usually span a fifth instead of a fourth.
 
* 0 200 400 700 = "Antikurd"
''Buri''s are said to sound brighter and are preferred for ceremonial and liturgical music.
* 0 200 500 700 = "Antinahawand"
 
* 0 300 500 700 = "Antiajam"
Common ''buri''s are (TODO: Netagin names):
* 0 200 450 700 = "Rast"
*C-D#-F-G-A#-C ("the most neutral-sounding")
* 0 250 500 700 = "Bayati"
*C-D-E-G-A-C ("mellow and joyful")
* 0 250 450 = "Sikah"  
*C-D-E-G-A#-C ("pompous")
* 0 300 400 700 = "Antihijaz"
*C-D#-E#-G-A#-C ("majectic")
* 0 250 500 600 = "Saba"
*C-D-E#-G-A#-C ("unsettled, suspended")
* 0 100 500 600 = Locrian
*C-D#-E#-G#-A-C ("slightly anxious and distressed")
* 0 150 300 700
*C-Eb-F-G-Bb-C
* 0 150 500 700
Rarer ''buri''s:
* 0 400 600 700
*C-Eb-F-G-A#-Cb ("exotic")
*C-D#-F#-Ab-Bb-C 0-250-550-800-1000-1200 ("disoriented")
 
==Harmony==
Semiquartal modal harmony is a more modern construct and is a staple of modern Netagin popular music, such as rock, metal and electronic music.
=== Semiquartal ===
Modes of the 9-note scale are called ''hačama'' (sg. ''hačame'', lit. facial expression). These are distinct from the traditional ''hanier''s.
 
TODO: Netagin names
 
L = C-D, s = C-C# (C-C half-sharp in 24edo)
*''Cimmaqie'': LLsLsLsLs (Tsimmaïan)
*''Tavůlie'': LsLLsLsLs (Tavulian)
*''Lannie'': LsLsLLsLs (Lannian)
*''Bonžie'': LsLsLsLLs (Bonzhian)
*''Ťatůpie'': LsLsLsLsL (Tjatupian)
*''Zierokie'': sLLsLsLsL (Zierokian)
*''Vašmie'': sLsLLsLsL (Vashmian)
*''Pahnačie'': sLsLsLLsL (Pahnachian)
*''Qyporie'': sLsLsLsLL (Iporian)
 
== Influences on other Trician musics ==
The Netagin ''hanier'' system inspired Talman theorist [[Verse:Tricin/Etsoj Jopah|Etsoj Jopah]] to invent the 7-limit [https://en.xen.wiki/w/Diasem diasem] JI scale, one chirality of which goes LMLSLMLSL with L = 9/8, M = 28/27 and S = 64/63. This JI scale has erroneously been called the "Netagin scale" by Talmans and Talmic speakers. The JI scale is a staple in low-complexity-JI- or RTT-based music in modern Tricin, scales of the same step pattern also being used in JI-agnostic contexts.


==Practheng Sngoal Yatalisrilh==
== ''Pezům''s ==
A Talman thing?
''Pezům'' or ''hanier'' is a word for what roughly corresponds to a pentatonic subset scale of 24edo. Like the word ''maqam'', ''hanier'' may be used both as a synonym for the whole tradition and for types of scales used in the tradition.
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[[Category:Music]]
[[Category:Music]]
[[Category:Windermere]]
[[Category:Naeng]]

Latest revision as of 16:22, 25 October 2024

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Written by Inthar

Tumhanian music is a monophonic tradition based on Anbirese/Netagin music called the hanier (Ntg. 'stepping') tradition, which in modern times is based on pentatonic scale subsets of 24 equal divisions of the octave. The premise of the hanier tradition is "What if Arabic maqam was pentatonic and neutralized 2L3s (the Western pentatonic scale), instead of being heptatonic and neutralizing 5L2s (the diatonic scale)?"

Buris

The buri (Ntg. 'sprint') is roughly equivalent to the jins in Arabic music. However, they usually span a fifth instead of a fourth.

  • 0 200 400 700 = "Antikurd"
  • 0 200 500 700 = "Antinahawand"
  • 0 300 500 700 = "Antiajam"
  • 0 200 450 700 = "Rast"
  • 0 250 500 700 = "Bayati"
  • 0 250 450 = "Sikah"
  • 0 300 400 700 = "Antihijaz"
  • 0 250 500 600 = "Saba"
  • 0 100 500 600 = Locrian
  • 0 150 300 700
  • 0 150 500 700
  • 0 400 600 700

Pezůms

Pezům or hanier is a word for what roughly corresponds to a pentatonic subset scale of 24edo. Like the word maqam, hanier may be used both as a synonym for the whole tradition and for types of scales used in the tradition.

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  • 0 250 500 700 950 1200 1400
  • 0 200 500 700 900 1200 1400
  • 0 200 400 700 900 1200 1400
  • 0 200 450 700 950 1200 1400
  • 0 250 450 600 850 1100 1300
  • 0 300 400 700 900 1200 1400
  • 0 100 500 600 1000 1200 1300
  • 0 150 300 700 850 1200 1400
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