Tags: Mobile edit Mobile web edit |
|
(55 intermediate revisions by the same user not shown) |
Line 1: |
Line 1: |
| Owing to the large number of tones in the Zzean language, how Zzeans perform or view as music is significantly different from mainstream Western or East Asian views.
| |
| == Vocal music ==
| |
| For Zzeans, non-"tonal" elements such as rhythm, ornamentation, and scale choice are paramount for distinguishing singing from normal speech.
| |
|
| |
|
| Zzean singing traditions include:
| |
| * an intoned singing tradition
| |
| * hiphop/rap (speech with stylized rhythm and sometimes autotune)
| |
| * a religious chanting tradition with much ornamentation
| |
| * something really weird and independent from [[Cuam]] music's weirdness
| |
|
| |
| Polyphonic and choral vocal music is wordless.
| |
|
| |
| == Instruments ==
| |
| * a shruti box that plays 5-note drones for guiding singing
| |
| * "talking" drums, trombones and fretless bowed strings
| |
|
| |
| == Scales ==
| |
| Zzean music is abstractly based on a pentatonic framework, onto which the five tone levels of Zzean are mapped. Seven-note scales are viewed as ways to ornament 5-note scales. However, not all Zzean pentatonic scales are octave-equivalent.
| |