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Before the Tsarfati Enlightenment, rhythmic elements from Irish prosody, such as Scotch snaps, used to be considered a regionalism, because most dialects of An Yidis do not have vowel length. However, during the Tsarfati Enlightenment period, Irta Irish elements including Irish prosody became a trend. This was less strong in areas where Hasidism was popular. | Before the Tsarfati Enlightenment, rhythmic elements from Irish prosody, such as Scotch snaps, used to be considered a regionalism, because most dialects of An Yidis do not have vowel length. However, during the Tsarfati Enlightenment period, Irta Irish elements including Irish prosody became a trend. This was less strong in areas where Hasidism was popular. | ||
Older Tsarfati styles, particularly cantillation tropes, are the source of Gregorian chant melodies in Irta. | |||
=== Tuning === | === Tuning === | ||
Intonation often happens by ear and is not necessarily JI-based (cf. maqam music). Tuning systems used differ by the individual community. Fixed pitch instruments use various primodal scales and detempered 34edo. Neutral intervals are commonly used as in maqam. | Intonation often happens by ear and is not necessarily JI-based (cf. maqam music). Tuning systems used differ by the individual community. Fixed pitch instruments use various primodal scales and detempered 34edo. Neutral intervals are commonly used as in maqam. | ||