Verse:Hmøøh/Talma/Music: Difference between revisions
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*Throat-singing, natural horns, monochords lead to knowledge of higher harmonics; mainly overtone scales; mainly monophonic | *Throat-singing, natural horns, monochords lead to knowledge of higher harmonics; mainly overtone scales; mainly monophonic | ||
*"Classical" period: Tsâhong Tamdi's treatise [[Literature:Elements of Harmony|''Elements of Harmony'']] is published ~> tonality diamonds, Partchian scales | *"Classical" period: Tsâhong Tamdi's treatise [[Literature:Elements of Harmony|''Elements of Harmony'']] is published ~> tonality diamonds, Partchian scales | ||
*n-anies and other CPS's; development in non-tuning aspects of music such as forms and texture; emergence of opera; more instrumental; instruments start to assume modern form. Modulations start to become more common. Music mostly sounds "sweet" up to this time. | *n-anies, Euler-Fokker and other CPS's; development in non-tuning aspects of music such as forms and texture; emergence of opera; more instrumental; instruments start to assume modern form. Modulations start to become more common. Music mostly sounds "sweet" up to this time. | ||
*Descending down to scales and modulations motivates temperaments and development of linear algebra | *Descending down to scales and modulations motivates temperaments and development of linear algebra | ||
*"Romantic"/Temperament period: freer use of expressive "dissonant" harmony; expansion in available timbres, longer music and larger orchestras | *"Romantic"/Temperament period: freer use of expressive "dissonant" harmony; expansion in available timbres, longer music and larger orchestras | ||