Verse:Hmøøh/Rewhd Sgutsis: Difference between revisions
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[This page uses music theory work mainly by Gene Ward Smith and Mike Battaglia.] | [This page uses music theory work mainly by Gene Ward Smith and Mike Battaglia.] | ||
'''Rhooc Avniin Askuucis''' ([[Anvirese]]: [r̝oːts əvˈni:n əˈsku:tsis] fT 2036 – fT | '''Rhooc Avniin Askuucis''' ([[Anvirese]]: [r̝oːts əvˈni:n əˈsku:tsis] fT 2036 – fT 2100 (aged 64)) was an [[Verse:Tricin/Anvir|Anvirese]] music theorist and composer. | ||
==Traits== | ==Traits== | ||
*Warm and | *Warm and magnanimous, steadfast to her principles | ||
*Languages: | *Languages: | ||
** (Pretty archaic) [[Anvirese]] (native speaker) | ** (Pretty archaic) [[Anvirese]] (native speaker) | ||
** [[Windermere]] | |||
** [[Sfətsiv]] (knows a little, her grandparents spoke it) | ** [[Sfətsiv]] (knows a little, her grandparents spoke it) | ||
** | ** [[Tamil]] | ||
*tunings: JI, 22, 31 | *tunings: JI, 22, 31 | ||
==Early life and education== | ==Early life and education== | ||
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In fT 2076, an academic took notice of Askuucis's work and invited her to serve in the University of Cdam Sre as a professor of music. She accepted the offer and would continue to teach there for 14 years. Among her students were several notable Talman composers and popular musicians. | In fT 2076, an academic took notice of Askuucis's work and invited her to serve in the University of Cdam Sre as a professor of music. She accepted the offer and would continue to teach there for 14 years. Among her students were several notable Talman composers and popular musicians. | ||
In fT 2090, Askuucis retired from her academic post and secluded herself, intending to focus solely on composition. She lived in a house in Sŋooron until she died of a stroke in fT | In fT 2090, Askuucis retired from her academic post and secluded herself, intending to focus solely on composition. She lived in a house in Sŋooron until she died of a stroke in fT 2100. | ||
==Contributions to music theory== | ==Contributions to music theory== | ||
Building on Jopah's and Tăhus's work on constant structure scales, in her treatise ''Some Equal Divisions of the Octave'' Askuucis described a variety of equal temperaments derived from equating the step sizes in constant-structure scales. She believed that this development would be a step [no pun intended] towards more flexible music. Though her work was not the first one to describe the process of tempering out commas (it was known for small commas such as 2401/2400), nor the first to mention the idea of equal temperament, it was the first to systematically derive equal temperaments from other scales. | Building on Jopah's and Tăhus's work on constant structure scales, in her treatise ''Some Equal Divisions of the Octave'' Askuucis described a variety of equal temperaments derived from equating the step sizes in constant-structure scales. She believed that this development would be a step [no pun intended] towards more flexible music. Though her work was not the first one to describe the process of tempering out commas (it was known for small commas such as 2401/2400), nor the first to mention the idea of equal temperament, it was the first to systematically derive equal temperaments from other scales. | ||