Literature:Genesis of a Music/Skellan: Difference between revisions

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Ulyn, mend a forŋáwinws ryb ~~hylpyméð~~ dysgý nwsyvŋá spejað hylmoçveŋ: micryï a þwrol bo ~~hylpyméð~~ dyb syvŋá moçveŋ.

Ulyn, mend a forŋáwinws ryb hylpyvéð dysgý nwsyvŋá spejað hylmoçveŋ: [micryï a þwrol] bo hylpyvéð dyb syvŋá moçveŋ. Eer doþ e ar

perhaps, this SG hallowed-SUP of-COL tradition among artist vigorous-CST creativity: suspect per_se COL tradition in-COL art creative

perhaps, this SG hallowed-SUP of-COL tradition among artist vigorous-CST creativity: suspect per_se COL tradition in-COL art creative. for stand 3SG.N on inheritance of standardization, imply 3SG.N degeneration.

PERHAPS the most hallowed of traditions among artists of creative vigor is this: traditions in the creative arts are per se suspect. For they exist on the patrimony of standardization, which means degeneration. They dominate because they are to the interest of some group that has the power to perpetuate them, and they cease to dominate when some equally powerful group undertakes to bend them to a new pattern. It is not difficult for the alert student to acquire the traditional techniques. Under the pressures of study these are unconsciously and all too easily absorbed. The extent to which an individual can resist being blindly led by tradition is a good measure of his vitality.

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 {{col-begin}}
 {{col-break}}
-Ulyn, mend a forŋáwinws ryb hylpyméð dysgý nwsyvŋá spejað hylmoçveŋ: micryï a þwrol bo hylpyméð dyb syvŋá moçveŋ.
+Ulyn, mend a forŋáwinws ryb hylpyvéð dysgý nwsyvŋá spejað hylmoçveŋ: [micryï a þwrol] bo hylpyvéð dyb syvŋá moçveŋ. Eer doþ e ar
 {{col-break}}
-perhaps, this SG hallowed-SUP of-COL tradition among artist vigorous-CST creativity: suspect per_se COL tradition in-COL art creative
+perhaps, this SG hallowed-SUP of-COL tradition among artist vigorous-CST creativity: suspect per_se COL tradition in-COL art creative. for stand 3SG.N on inheritance of standardization, imply 3SG.N degeneration.
 {{col-break}}
 PERHAPS the most hallowed of traditions among artists of creative vigor is this: traditions in the creative arts are per se suspect. For they exist on the patrimony of standardization, which means degeneration. They dominate because they are to the interest of some group that has the power to perpetuate them, and they cease to dominate when some equally powerful group undertakes to bend them to a new pattern. It is not difficult for the alert student to acquire the traditional techniques. Under the pressures of study these are unconsciously and all too easily absorbed. The extent to which an individual can resist being blindly led by tradition is a good measure of his vitality.