Literature:Genesis of a Music/Skellan: Difference between revisions

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Ulyn mend a forŋáwinws ryb hylpyvéð dysgý nwsyvŋá spejað hylmoçveŋ: pacrées dy þwrol bo hylpyvéð dyb syvŋá moçveŋ. Eer doþ e ar prătsóon bintsiðrág, ry lyvoŋté e tylytsláts.
Ulyn mend a forŋáwinws ryb hylpyvéð dysgý nwsyvŋá spejað hylmoçveŋ: pacrées dy þwrol bo hylpyvéð dyb syvŋá moçveŋ. Eer doþ e ar prătsóon bintsiðrág, ry lyvoŋté e tylytsláts.
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perhaps this SG hallowed-SUP of-COL tradition among artist vigorous-CST creativity: suspect per_se COL tradition in-COL art creative. for stand 3SG.N on inheritance of standardization, REL imply 3SG.N degeneration.
perhaps this SG hallowed-SUP of-COL tradition among artist vigorous-CST creativity: suspect per_se COL tradition in-COL art creative. for stand 3SG.N on inheritance of standardization, REL imply 3SG.N degeneration. dominate 3SG.N because serve 3SG.N interest SG group certain with power to perpetuate 3SG.N, and cease dominate 3SG.N when_CONJ replace_with_something_new SG group successfully powerful.EQU 3SG.N. not difficult to student alert SG acquire technique traditional. in pressure study, absorb one_IMPERSONAL 3SG.N unconscious and too easy. how_much can DAT one_IMPERSONAL vitality SG resist follow tradition blindly, that measure well vitality of-3SG.M.
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PERHAPS the most hallowed of traditions among artists of creative vigor is this: traditions in the creative arts are per se suspect. For they exist on the patrimony of standardization, which means degeneration. They dominate because they are to the interest of some group that has the power to perpetuate them, and they cease to dominate when some equally powerful group undertakes to bend them to a new pattern. It is not difficult for the alert student to acquire the traditional techniques. Under the pressures of study these are unconsciously and all too easily absorbed. The extent to which an individual can resist being blindly led by tradition is a good measure of his vitality.
PERHAPS the most hallowed of traditions among artists of creative vigor is this: traditions in the creative arts are per se suspect. For they exist on the patrimony of standardization, which means degeneration. They dominate because they are to the interest of some group that has the power to perpetuate them, and they cease to dominate when some equally powerful group undertakes to bend them to a new pattern. It is not difficult for the alert student to acquire the traditional techniques. Under the pressures of study these are unconsciously and all too easily absorbed. The extent to which an individual can resist being blindly led by tradition is a good measure of his vitality.