Verse:Hmøøh/Talma/Music: Difference between revisions
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Romantic composers emphasized emotion, humor and contemplation, Romantic music often had an individualist ethos, which prompted the development of solo techniques. The later Romantic period composers used a free JI approach, possibly with microtempering. | Romantic composers emphasized emotion, humor and contemplation, Romantic music often had an individualist ethos, which prompted the development of solo techniques. The later Romantic period composers used a free JI approach, possibly with microtempering. | ||
===EDO period=== | |||
EDO period art music uses expressive dissonance liberally, reminiscent of jazz music. It prefers moderate-sized equal temperaments such as 19-EDO, 22-EDO and 27-EDO, which are better suited for fixed-pitch instruments. | |||
===Modern period=== | ===Modern period=== | ||
Modern | Modern composers often work with a larger variety of equal temperaments. Some favorite equal temperaments are 10, 12, 15, 17, 18, 19, 22, 27, 31, 41, 46, 53, 58, 72, 87. | ||
===Neoclassicism=== | ===Neoclassicism=== | ||
Neoclassicism emerged in modern times as a dissident movement in both Fyxám and Talma (in Fyxám, as a reaction to Populism; in Talma, as a reaction to hyper-academic music). | Neoclassicism emerged in modern times as a dissident movement in both Fyxám and Talma (in Fyxám, as a reaction to Populism; in Talma, as a reaction to hyper-academic music). | ||