Verse:Mwail/Bjeheond/Music: Difference between revisions

Line 91:

*Ttiid-Bes '''Kod''' - Shumian composer of Ko descent, Hob-Bes's brother

==~~Rhythoed~~ music==

==Windermere music==

The theoretical basis for Bjeheondian [[~~Rhythoed~~]] music is very similar to that of Hlou Romantic music, except that the terms used are different. The ''Rag'' and ''Tal'' are known as ''tsăren'' and ''hüed''. But ~~Rhythoed~~ rhythms (''imhüed'') are much more complex than Hlou ''Tal''s. ''Imhüed'' are sort of a cross between rhythmic cycles and ground bass lines (as in Baroque era passacaglias).

The theoretical basis for Bjeheondian [[Windermere]] music is very similar to that of Hlou Romantic music, except that the terms used are different. The ''Rag'' and ''Tal'' are known as ''tsăren'' and ''hüed''. But Windermere rhythms (''imhüed'') are much more complex than Hlou ''Tal''s. ''Imhüed'' are sort of a cross between rhythmic cycles and ground bass lines (as in Baroque era passacaglias).

Singing, both choral and solo, is as much a part of ~~Rhythoed~~ music as instruments since ~~Rhythoed~~ isn't a tonal language like Hlou.

Singing, both choral and solo, is as much a part of Windermere music as instruments since Windermere isn't a tonal language like Hlou.

Both polyphonic and solo music follow the notes of the ''tsăren''. Solo music was very often unwritten and much of it was purely improvised, unlike polyphonic music. Solo pieces lacked a ground bass which allowed improvisers the freedom to make highly microtonally inflected melodies, often using a few dozen tones per octave.

Line 103:

===''Tsoafta''===

Hlou influence on ~~Rhythoed~~ music led to the development of a uniquely ~~Rhythoed~~ tradition of purely rhythmic music, called ''tsoafta'' (from ~~Rhythoed~~ ''tsoaf'' 'game, play' + Hlou ''Tal''), played almost exclusively on percussion instruments. But violin family instruments were adapted to this style; performers would strike different parts of their instruments with their fingers, and tune the strings so low that they hit against the fingerboard producing a loud percussive effect. The rhythms used were often extremely fast and complicated and polyrhythms were common.

Hlou influence on Windermere music led to the development of a uniquely Windermere tradition of purely rhythmic music, called ''tsoafta'' (from Windermere ''tsoaf'' 'game, play' + Hlou ''Tal''), played almost exclusively on percussion instruments. But violin family instruments were adapted to this style; performers would strike different parts of their instruments with their fingers, and tune the strings so low that they hit against the fingerboard producing a loud percussive effect. The rhythms used were often extremely fast and complicated and polyrhythms were common.

''Tsoafta'' in the Romantic era was thought of primarily as a sport rather than a musical style, and many ''tsoafta'' artists became cultural icons.

Line 131:

===Folk music===

Much ~~Rhythoed~~ folk music uses instruments imported from Talma and Nūrei, such as the pasta guitar, and sometimes even uses the original tunings.

Much Windermere folk music uses instruments imported from Talma and Nūrei, such as the pasta guitar, and sometimes even uses the original tunings.

===The Experimental Music Society (''Prăctheng Sngoal Yătălisrił'')===

@@ Line 91: / Line 91: @@
 *Ttiid-Bes '''Kod''' - Shumian composer of Ko descent, Hob-Bes's brother
-==Rhythoed music==
+==Windermere music==
-The theoretical basis for Bjeheondian [[Rhythoed]] music is very similar to that of Hlou Romantic music, except that the terms used are different. The ''Rag'' and ''Tal'' are known as ''tsăren'' and ''hüed''. But Rhythoed rhythms (''imhüed'') are much more complex than Hlou ''Tal''s. ''Imhüed'' are sort of a cross between rhythmic cycles and ground bass lines (as in Baroque era passacaglias).
+The theoretical basis for Bjeheondian [[Windermere]] music is very similar to that of Hlou Romantic music, except that the terms used are different. The ''Rag'' and ''Tal'' are known as ''tsăren'' and ''hüed''. But Windermere rhythms (''imhüed'') are much more complex than Hlou ''Tal''s. ''Imhüed'' are sort of a cross between rhythmic cycles and ground bass lines (as in Baroque era passacaglias).
-Singing, both choral and solo, is as much a part of Rhythoed music as instruments since Rhythoed isn't a tonal language like Hlou.
+Singing, both choral and solo, is as much a part of Windermere music as instruments since Windermere isn't a tonal language like Hlou.
 Both polyphonic and solo music follow the notes of the ''tsăren''. Solo music was very often unwritten and much of it was purely improvised, unlike polyphonic music. Solo pieces lacked a ground bass which allowed improvisers the freedom to make highly microtonally inflected melodies, often using a few dozen tones per octave.
@@ Line 103: / Line 103: @@
 ===''Tsoafta''===
-Hlou influence on Rhythoed music led to the development of a uniquely Rhythoed tradition of purely rhythmic music, called ''tsoafta'' (from Rhythoed ''tsoaf'' 'game, play' + Hlou ''Tal''), played almost exclusively on percussion instruments. But violin family instruments were adapted to this style; performers would strike different parts of their instruments with their fingers, and tune the strings so low that they hit against the fingerboard producing a loud percussive effect. The rhythms used were often extremely fast and complicated and polyrhythms were common.
+Hlou influence on Windermere music led to the development of a uniquely Windermere tradition of purely rhythmic music, called ''tsoafta'' (from Windermere ''tsoaf'' 'game, play' + Hlou ''Tal''), played almost exclusively on percussion instruments. But violin family instruments were adapted to this style; performers would strike different parts of their instruments with their fingers, and tune the strings so low that they hit against the fingerboard producing a loud percussive effect. The rhythms used were often extremely fast and complicated and polyrhythms were common.
 ''Tsoafta'' in the Romantic era was thought of primarily as a sport rather than a musical style, and many ''tsoafta'' artists became cultural icons.
@@ Line 131: / Line 131: @@
 ===Folk music===
-Much Rhythoed folk music uses instruments imported from Talma and Nūrei, such as the pasta guitar, and sometimes even uses the original tunings.
+Much Windermere folk music uses instruments imported from Talma and Nūrei, such as the pasta guitar, and sometimes even uses the original tunings.
 ===The Experimental Music Society (''Prăctheng Sngoal Yătălisrił'')===