Verse:Hmøøh/Pategia: Difference between revisions

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'''Trăngsi'uł''' (''PARK-uh''; [[Windermere]]: ''Parca'' /ˈpʰaɾkʰə/, [[Trăngsi'uł]]: ''Paḷkha'' /paɭkʰa/, [[Roshterian]]: ''Qaanuuṯu'') is a predominantly Windermere-speaking [[Bjeheond]]ian country. It is located near [[Verse:Tricin/Qaaroshter]].
'''Trăngsi''' ([[Windermere]]: ''Trăngsi'' , [[Trăngsi'uł]]: ''Tr'ẃẃsi' '', [[Roshterian]]: ''Qaanuuṯu'') is a predominantly Windermere-speaking [[Bjeheond]]ian country. It is located near [[Verse:Tricin/Qaaroshter]].


==Geography==
==Geography==
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Its capital is Răthamrona (Ḷdamrōṇa in the native Paḷkhan language).
Its capital is Răthamrona (Ḷdamrōṇa in the native Paḷkhan language).
==Wildlife==
==Wildlife==
Palkha has distinct wildlife though not as distinct as Cualuav.
Trăngsi has distinct wildlife though not as distinct as Cualuav.


==Music==
==Music==
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The quintessential Trăngsi'uł musical instruments are (some kind of lyre or fiddle?), and the Trăngsi'uł drum (''feam Trăngsi'uł'' in Windermere; ??? in Trăngsi'uł).
The quintessential Trăngsi'uł musical instruments are (some kind of lyre or fiddle?), and the Trăngsi'uł drum (''feam Trăngsi'uł'' in Windermere; ??? in Trăngsi'uł).


Trăngsi'uł music is highly multi-ethnic and uses elements from both native styles and Talman ones. Native Palkhan music tends to be richly ornamented, and is based on a heptatonic scale.
Trăngsi'uł music is highly multi-ethnic and uses elements from both native styles and Talman ones. Native Trăngsi'uł music tends to be richly ornamented, and is based on a heptatonic scale.


Some ornaments include:
Some ornaments include:
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*slides
*slides


Trăngsi'uł has its own offshoot of Windermere music as well. Some styles that fell out of use in Talma are still commonly performed in Trăngsi'uł, such as the song with intoning voice (''wălam yăthmear''). Trăngsi'uł is in fact home to the composer Dăraf Ko, a leading composer of ''yăthmear'' songs today, some of which incorporate native Palkhan classical styles in addition to Windermere ones.
Trăngsi has its own offshoot of Windermere music as well. Some styles that fell out of use in Talma are still commonly performed in Trăngsi, such as the song with intoning voice (''wălam yăthmear''). Trăngsi is in fact home to the composer Dăraf Ko, a leading composer of ''yăthmear'' songs today, some of which incorporate native Trăngsi'uł classical styles in addition to Windermere ones.


===Răthamrona school===
===Răthamrona school===
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Rough timeline:
Rough timeline:


50 years before present: Styles very similar to minimalism and ambient music emerge in Palkha. Pieces composed by the Răthamrona school around that time can stretch for over 5 hours.
50 years before present: Styles very similar to minimalism and ambient music emerge in Trăngsi'uł. Pieces composed by the Răthamrona school around that time can stretch for over 5 hours.


30 years BP: People have enough of that style and rebel, creating some of the most wildly dissonant music in Tricin (sometimes using crazy equal temperaments).
30 years BP: People have enough of that style and rebel, creating some of the most wildly dissonant music in Tricin (sometimes using crazy equal temperaments).


25 years BP: Minimalism makes a comeback in a slightly more "folksy" form (pieces are shorter etc.) The PSyT (''Prăctheng Sngoal Yătălisrił'' "Experimental Music Society") forms a branch in Palkha, led by Schaus-Schaus Flein. More fully acoustic pieces are written in the last 25 years.
25 years BP: Minimalism makes a comeback in a slightly more "folksy" form (pieces are shorter etc.) The PSyT (''Prăctheng Sngoal Yătălisrił'' "Experimental Music Society") forms a branch in Trăngsi'uł, led by Schaus-Schaus Flein. More fully acoustic pieces are written in the last 25 years.


===Trăngsi'uł minimalism===
===Trăngsi'uł minimalism===
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Trăngsi'uł musical compositions from the last three decades often revolve around polyrhythms.
Trăngsi'uł musical compositions from the last three decades often revolve around polyrhythms.


==Famous Palkhans==
==Famous Trăngsi'uł==


Dăraf '''Ko''' - neoclassical composer of (Bjeheondian) Windermere descent
Dăraf '''Ko''' - neoclassical composer of (Bjeheondian) Windermere descent

Revision as of 21:46, 16 July 2018

Trăngsi (Windermere: Trăngsi , Trăngsi'uł: Tr'ẃẃsi' , Roshterian: Qaanuuṯu) is a predominantly Windermere-speaking Bjeheondian country. It is located near Verse:Tricin/Qaaroshter.

Geography

Its capital is Răthamrona (Ḷdamrōṇa in the native Paḷkhan language).

Wildlife

Trăngsi has distinct wildlife though not as distinct as Cualuav.

Music

Inspiration: gayageum sanjo, Ancient Greek music?

The quintessential Trăngsi'uł musical instruments are (some kind of lyre or fiddle?), and the Trăngsi'uł drum (feam Trăngsi'uł in Windermere; ??? in Trăngsi'uł).

Trăngsi'uł music is highly multi-ethnic and uses elements from both native styles and Talman ones. Native Trăngsi'uł music tends to be richly ornamented, and is based on a heptatonic scale.

Some ornaments include:

  • grace notes
  • rapid trills and turns
  • slides

Trăngsi has its own offshoot of Windermere music as well. Some styles that fell out of use in Talma are still commonly performed in Trăngsi, such as the song with intoning voice (wălam yăthmear). Trăngsi is in fact home to the composer Dăraf Ko, a leading composer of yăthmear songs today, some of which incorporate native Trăngsi'uł classical styles in addition to Windermere ones.

Răthamrona school

Rough timeline:

50 years before present: Styles very similar to minimalism and ambient music emerge in Trăngsi'uł. Pieces composed by the Răthamrona school around that time can stretch for over 5 hours.

30 years BP: People have enough of that style and rebel, creating some of the most wildly dissonant music in Tricin (sometimes using crazy equal temperaments).

25 years BP: Minimalism makes a comeback in a slightly more "folksy" form (pieces are shorter etc.) The PSyT (Prăctheng Sngoal Yătălisrił "Experimental Music Society") forms a branch in Trăngsi'uł, led by Schaus-Schaus Flein. More fully acoustic pieces are written in the last 25 years.

Trăngsi'uł minimalism

Minimalist pieces from the Răthamrona school, ironically, have some of the most complex harmonic progressions in Trician music. One famous piece, ???, has over a hundred chord progressions, each modulating up by a microcomma.

Trăngsi'uł postminimalism

Trăngsi'uł musical compositions from the last three decades often revolve around polyrhythms.

Famous Trăngsi'uł

Dăraf Ko - neoclassical composer of (Bjeheondian) Windermere descent

Minimalist composers?

A Brian Eno-like figure?

Schaus-Schaus Flein - postminimalist composer