Literature:Genesis of a Music/Skellan: Difference between revisions

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COL tradition remain not disturbed 3SG.N when say 1PL.IN: improve COHORT 1PL.IN.REFL; become COHORT player piano better, teacher better, conductor better, composer better. remain not disturbed 3SG.N when say 1PL.IN: increase COHORT knowledge and appreciation of music "good". undisturbed, uninvestigated, remain tradition, therefore if COL culture music, REL foundation GEN.3SG.N principle noble outwardly like_this, already senile 3SG.N.
COL tradition remain not disturbed 3SG.N when say 1PL.IN: improve COHORT 1PL.IN.REFL; become COHORT player piano better, teacher better, conductor better, composer better. remain not disturbed 3SG.N when say 1PL.IN: increase COHORT knowledge and appreciation of music "good". undisturbed, uninvestigated, remain tradition, therefore if COL culture music, REL foundation GEN.3SG.N principle noble outwardly like_this, already senile 3SG.N.


characteristic of vitality that causes any culture to significant, comprise it something other, presence of that which rise_against tradition constantly; find IMP that, in perception fresh of COL poet dynasty Tang, in curiosity bold of COL Florentines Renaissance. on large, from this A be_formed it: investigation, investigation, investigation. in poetry and in many other form of expression creative, can this.SG investigation follow path intellectual and metaphysical entirely, but in music, by_nature, must it also follow path tangible.
characteristic of vitality that causes any culture to be significant, comprise it something other, presence of that which rise_against tradition constantly; find IMP that, in perception fresh of COL poet dynasty Tang, in curiosity bold of COL Florentines in age Renaissance. on large, from this A be_formed it: investigation, investigation, investigation. in poetry and in many other form of expression creative, can this.SG investigation follow path intellectual and metaphysical entirely, but in music, by_nature, must it also follow path grabbable.
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PERHAPS the most hallowed of traditions among artists of creative vigor is this: traditions in the creative arts are per se suspect. For they exist on the patrimony of standardization, which means degeneration. They dominate because they are to the interest of some group that has the power to perpetuate them, and they cease to dominate when some equally powerful group undertakes to bend them to a new pattern. It is not difficult for the alert student to acquire the traditional techniques. Under the pressures of study these are unconsciously and all too easily absorbed. The extent to which an individual can resist being blindly led by tradition is a good measure of his vitality.
PERHAPS the most hallowed of traditions among artists of creative vigor is this: traditions in the creative arts are per se suspect. For they exist on the patrimony of standardization, which means degeneration. They dominate because they are to the interest of some group that has the power to perpetuate them, and they cease to dominate when some equally powerful group undertakes to bend them to a new pattern. It is not difficult for the alert student to acquire the traditional techniques. Under the pressures of study these are unconsciously and all too easily absorbed. The extent to which an individual can resist being blindly led by tradition is a good measure of his vitality.