Literature:Genesis of a Music/Skellan: Difference between revisions

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:not difficult to student alert SG acquire technique traditional. surrounded_by pressure study, absorb one_IMPERSONAL 3SG.N unconscious and too easy.

:It is not difficult for the alert student to acquire the traditional techniques. Under the pressures of study these are unconsciously and all too easily absorbed.

:how_much can DAT one_IMPERSONAL vitality SG resist follow tradition blindly, that measure well vitality of-3SG.M.

:The extent to which an individual can resist being blindly led by tradition is a good measure of his vitality.

:COL tradition remain not disturbed 3SG.N when say 1PL.IN: improve COHORT 1PL.IN.REFL; become COHORT player piano better, teacher better, conductor better, composer better. remain not disturbed 3SG.N when say 1PL.IN: increase COHORT knowledge and appreciation of music "good". undisturbed, uninvestigated, remain tradition, therefore if COL culture music, REL foundation GEN.3SG.N principle noble outwardly like_this, already senile 3SG.N.

:Traditions remain undisturbed when we say: let us improve ourselves; let us become better pianists, teachers, conductors, better composers. They remain undisturbed when we say: let us increase the knowledge and appreciation of "good" music. Traditions remain undisturbed, uninvestigated, and therefore a culture of music based upon such palpably noble precepts is already senile.

~~{{col-begin}}~~

:characteristic of vitality that causes any culture to be significant, comprise it something other, presence of that which rise_against tradition constantly; find IMP that, in perception fresh of COL poet dynasty Tang, in curiosity bold of COL Florentines in age Renaissance.

~~{{col-break}}~~

:The quality of vitality that makes any culture significant involves something else, the presence of which constantly undermines tradition; it is found in the perceptive freshness of the Tang Dynasty poets, the bold curiosity of the Renaissance Florentines.

~~Ulyn a fraŋáwinws ryb hylpyvréð dysgý nwsyvŋá spejað hylmoçłeŋ mend ñe~~: pacrées dy vurol bo hylpyvréð dyb syvŋá moçłeŋ. Eer doþ ñe ar prytsóon bintsiðrág -- lyvoŋté ñe tylytsláts. Iñhynwl ñe cwin blatyladá ñe tynfox a bygán ymsdaw çyñ ros lly iñsylyléh ñe, ~~as suag iñhynwl ñe cwin ..~~.

:on large, from this A be_formed it: investigation, investigation, investigation. in poetry and in many other form of expression creative, can this.SG investigation follow path intellectual and metaphysical entirely, but in music, by_nature, must it also follow path grabbable.

:In large measure it is compounded of investigation, investigation, investigation. In poetry and in many other forms of creative expression investigation may take an entirely intellectual and metaphysical path, but in music, because of the very nature of the art, it must also take a physical path.

~~{{col-break}}~~

perhaps SG hallowed-SUP of-COL tradition among artist vigorous-CST creativity this 3SG.N: suspect per_se COL tradition in-COL art creative. for stand 3SG.N on inheritance of standardization, REL imply 3SG.N degeneration. dominate 3SG.N because serve 3SG.N interest SG group certain with power to perpetuate 3SG.N, and cease dominate 3SG.N when_CONJ replace_with_something_new SG group successfully powerful.EQU 3SG.N. not difficult to student alert SG acquire technique traditional. surrounded_by pressure study, absorb one_IMPERSONAL 3SG.N unconscious and too easy. how_much can DAT one_IMPERSONAL vitality SG resist follow tradition blindly, that measure well vitality of-3SG.M.

COL tradition remain not disturbed 3SG.N when say 1PL.IN: improve COHORT 1PL.IN.REFL; become COHORT player piano better, teacher better, conductor better, composer better. remain not disturbed 3SG.N when say 1PL.IN: increase COHORT knowledge and appreciation of music "good". undisturbed, uninvestigated, remain tradition, therefore if COL culture music, REL foundation GEN.3SG.N principle noble outwardly like_this, already senile 3SG.N.

characteristic of vitality that causes any culture to be significant, comprise it something other, presence of that which rise_against tradition constantly; find IMP that, in perception fresh of COL poet dynasty Tang, in curiosity bold of COL Florentines in age Renaissance. on large, from this A be_formed it: investigation, investigation, investigation. in poetry and in many other form of expression creative, can this.SG investigation follow path intellectual and metaphysical entirely, but in music, by_nature, must it also follow path grabbable.

~~{{col-break}}~~

PERHAPS the most hallowed of traditions among artists of creative vigor is this: traditions in the creative arts are per se suspect. For they exist on the patrimony of standardization, which means degeneration. They dominate because they are to the interest of some group that has the power to perpetuate them, and they cease to dominate when some equally powerful group undertakes to bend them to a new pattern. It is not difficult for the alert student to acquire the traditional techniques. Under the pressures of study these are unconsciously and all too easily absorbed. The extent to which an individual can resist being blindly led by tradition is a good measure of his vitality.

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—Harry Partch, University of Wisconsin, 1947

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@@ Line 12: / Line 12: @@
 :not difficult to student alert SG acquire technique traditional. surrounded_by pressure study, absorb one_IMPERSONAL 3SG.N unconscious and too easy.
+:It is not difficult for the alert student to acquire the traditional techniques. Under the pressures of study these are unconsciously and all too easily absorbed.
 :how_much can DAT one_IMPERSONAL vitality SG resist follow tradition blindly, that measure well vitality of-3SG.M.
+:The extent to which an individual can resist being blindly led by tradition is a good measure of his vitality.
+:COL tradition remain not disturbed 3SG.N when say 1PL.IN: improve COHORT 1PL.IN.REFL; become COHORT player piano better, teacher better, conductor better, composer better. remain not disturbed 3SG.N when say 1PL.IN: increase COHORT knowledge and appreciation of music "good". undisturbed, uninvestigated, remain tradition, therefore if COL culture music, REL foundation GEN.3SG.N principle noble outwardly like_this, already senile 3SG.N.
+:Traditions remain undisturbed when we say: let us improve ourselves; let us become better pianists, teachers, conductors, better composers. They remain undisturbed when we say: let us increase the knowledge and appreciation of "good" music. Traditions remain undisturbed, uninvestigated, and therefore a culture of music based upon such palpably noble precepts is already senile.
-{{col-begin}}
+:characteristic of vitality that causes any culture to be significant, comprise it something other, presence of that which rise_against tradition constantly; find IMP that, in perception fresh of COL poet dynasty Tang, in curiosity bold of COL Florentines in age Renaissance.
-{{col-break}}
+:The quality of vitality that makes any culture significant involves something else, the presence of which constantly undermines tradition; it is found in the perceptive freshness of the Tang Dynasty poets, the bold curiosity of the Renaissance Florentines.
-Ulyn a fraŋáwinws ryb hylpyvréð dysgý nwsyvŋá spejað hylmoçłeŋ mend ñe: pacrées dy vurol bo hylpyvréð dyb syvŋá moçłeŋ. Eer doþ ñe ar prytsóon bintsiðrág -- lyvoŋté ñe tylytsláts. Iñhynwl ñe cwin blatyladá ñe tynfox a bygán ymsdaw çyñ ros lly iñsylyléh ñe, as suag iñhynwl ñe cwin ...
+:on large, from this A be_formed it: investigation, investigation, investigation. in poetry and in many other form of expression creative, can this.SG investigation follow path intellectual and metaphysical entirely, but in music, by_nature, must it also follow path grabbable.
+:In large measure it is compounded of investigation, investigation, investigation. In poetry and in many other forms of creative expression investigation may take an entirely intellectual and metaphysical path, but in music, because of the very nature of the art, it must also take a physical path.
-{{col-break}}
-perhaps SG hallowed-SUP of-COL tradition among artist vigorous-CST creativity this 3SG.N: suspect per_se COL tradition in-COL art creative. for stand 3SG.N on inheritance of standardization, REL imply 3SG.N degeneration. dominate 3SG.N because serve 3SG.N interest SG group certain with power to perpetuate 3SG.N, and cease dominate 3SG.N when_CONJ replace_with_something_new SG group successfully powerful.EQU 3SG.N. not difficult to student alert SG acquire technique traditional. surrounded_by pressure study, absorb one_IMPERSONAL 3SG.N unconscious and too easy. how_much can DAT one_IMPERSONAL vitality SG resist follow tradition blindly, that measure well vitality of-3SG.M.
-COL tradition remain not disturbed 3SG.N when say 1PL.IN: improve COHORT 1PL.IN.REFL; become COHORT player piano better, teacher better, conductor better, composer better. remain not disturbed 3SG.N when say 1PL.IN: increase COHORT knowledge and appreciation of music "good". undisturbed, uninvestigated, remain tradition, therefore if COL culture music, REL foundation GEN.3SG.N principle noble outwardly like_this, already senile 3SG.N.
-characteristic of vitality that causes any culture to be significant, comprise it something other, presence of that which rise_against tradition constantly; find IMP that, in perception fresh of COL poet dynasty Tang, in curiosity bold of COL Florentines in age Renaissance. on large, from this A be_formed it: investigation, investigation, investigation. in poetry and in many other form of expression creative, can this.SG investigation follow path intellectual and metaphysical entirely, but in music, by_nature, must it also follow path grabbable.
-{{col-break}}
 PERHAPS the most hallowed of traditions among artists of creative vigor is this: traditions in the creative arts are per se suspect. For they exist on the patrimony of standardization, which means degeneration. They dominate because they are to the interest of some group that has the power to perpetuate them, and they cease to dominate when some equally powerful group undertakes to bend them to a new pattern. It is not difficult for the alert student to acquire the traditional techniques. Under the pressures of study these are unconsciously and all too easily absorbed. The extent to which an individual can resist being blindly led by tradition is a good measure of his vitality.
@@ Line 71: / Line 69: @@
 —Harry Partch, University of Wisconsin, 1947
-{{col-end}}