Verse:Irta (Old)/Music: Difference between revisions
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Should be heavily influenced by Buddhist cultures by the end of 2nd Remonition | Should be heavily influenced by Buddhist cultures by the end of 2nd Remonition | ||
=== Remonitionist music === | === First Remonitionist music === | ||
==== Irta Baroque ==== | ==== Irta Baroque ==== | ||
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2-part counterpart likes resolving to fifths and uses tons of Machaut cadences (Eb-G -> D-A, Ed-Gt -> D-A, E-G# -> D-A) | 2-part counterpart likes resolving to fifths and uses tons of Machaut cadences (Eb-G -> D-A, Ed-Gt -> D-A, E-G# -> D-A) | ||
=== Second Remonitionist music === | |||
Extended LCJI theory arises within the Remonitionist tradition, from throat singing chanting traditions. Certain styles of music uses JI while certain styles are closer to neomedieval. In Crackfic Tricin, Remonitionist immigrants from Irta are responsible for much of Crackfic Trician tuning theory. | Extended LCJI theory arises within the Remonitionist tradition, from throat singing chanting traditions. Certain styles of music uses JI while certain styles are closer to neomedieval. In Crackfic Tricin, Remonitionist immigrants from Irta are responsible for much of Crackfic Trician tuning theory. | ||