Verse:Hmøøh/Talma/Music: Difference between revisions
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h/t tprice and Jaimbee, without whose work on pseudo-JI chords and oneiro functional harmony this would not have been possible. | h/t tprice and Jaimbee, without whose work on pseudo-JI chords and oneiro functional harmony this would not have been possible. | ||
== Todo == | == Todo == | ||
Revision as of 13:42, 24 January 2022
Base on oneiro (5L 3s) at first, then 26edo?
h/t tprice and Jaimbee, without whose work on pseudo-JI chords and oneiro functional harmony this would not have been possible.
Todo
Should "pegol" be the Eevo name for the approximate 3L 2s in Crackfic Tricin, coming from **penkw-ālos from an IE substrate
Imperial Windermere music
"What if gamelan had very sharp fifths instead of very flat ones like pelog"
Based on 3L 2s scales; was monophonic and played on inharmonic instruments.
Post-Revolt music
All the JI and RTT people, Tsăhongtamdi, Etsoj Jopah, Rewhd Sgutsis etc. can be Cualuavian
Development of a functional harmony theory based on 0-(185)-369-646 and 0-277-738-(923) for the 4 brightest oneiro modes and a general modal theory for all 8 modes and the LSLLLSLS altered oneiro scale
Modern music
Contemporary music
Schngaoife writes counterpoint for oneiro and develops a functional harmony theory for other mosses such as 4L 3s, 5L 4s, and 8L 2s.
- Suite on the Medieval Talman Pegol