User:IlL/Spare pages 1: Difference between revisions

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'''Aoife O'Flaherty''' ([[An Bhlaoighne]] and Irish: ''Aoife Ní Fhlaithbheartaigh'' <small>An Bhl. /ˈao&#798;jfe&#798; niː ˈfʰlajt&#810;ʰbʱe&#798;art&#810;ajgʱ/, [[Verse:CF Tricin/Cualand#Cualand Irish|Cualand Irish]]: /'iːfʲə nʲiː ˈl̪ˠahəɾˠt̪ˠɪɟ/</small> [[Ăn Yidiș]] and Hebrew: חמדה ני פ&#1471;ל&#1523;אַהארתּיה&#1468; <small>[[Verse:CF Tricin/Cualand#Cualand Ăn Yidiș|Cualand Ăn Yidiș]] /ˈχɛmt&#810;⁼ə nɪ ˈwahəʂʈ⁼ɪh/, [[Verse:CF Tricin/Cualand#Cualand Hebrew|Cualand Modern Hebrew]] /ˈχemda ni ˈlaherti/</small>) is a Fishomian conlanger, video game composer and video game developer of Irish-Jewish descent. She is a native speaker of Cualand Ăn Yidiș, Irish, and English, is fluent in Șinach Netagin and Hebrew, and can read Mandarin, Classical Netagin, and Old Irish. She is a trans woman and a Reconstructionist Jew (not believing but moderately observant). She is best known for her game Méich Bhaonnáiqh (placeholdr name) and its associated conlang, [[An Bhlaoighne]].
'''Aoife O'Flaherty''' ([[An Bhlaoighne]] and Irish: ''Aoife Ní Fhlaithbheartaigh'' <small>An Bhl. /ˈao&#798;jfe&#798; niː ˈfʰlajt&#810;ʰbʱe&#798;art&#810;ajgʱ/, [[Verse:CF Tricin/Cualand#Cualand Irish|Cualand Irish]]: /'iːfʲə nʲiː ˈl̪ˠahəɾˠt̪ˠɪɟ/</small> [[Ăn Yidiș]] and Hebrew: חמדה ני פ&#1471;ל&#1523;אַהארתּיה&#1468; <small>[[Verse:CF Tricin/Cualand#Cualand Ăn Yidiș|Cualand Ăn Yidiș]] /ˈχɛmt&#810;⁼ə nɪ ˈwahəʂʈ⁼ɪh/, [[Verse:CF Tricin/Cualand#Cualand Hebrew|Cualand Modern Hebrew]] /ˈχemda ni ˈlaherti/</small>) is a Fishomian conlanger, video game composer and video game developer of Irish-Jewish descent. She is a native speaker of Cualand Ăn Yidiș, Irish, and English, is fluent in Șinach Netagin and Hebrew, and can read Mandarin, Classical Netagin, and Old Irish. She is a trans woman and a Reconstructionist Jew (not believing but moderately observant). She is best known for her game Méich Bhaonnáiqh (placeholdr name) and its associated conlang, [[An Bhlaoighne]].


This "setting" is one of our (Inthar and Praimhín's) placeholders for certain conlangs that are too gibby, memey, or unnaturalistic for any of our conworlds. See also [[Verse:Schngellstein]].
See also [[Verse:Schngellstein]].


==Conlangs==
==Conlangs==

Revision as of 01:15, 29 January 2022

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Aoife O'Flaherty (An Bhlaoighne and Irish: Aoife Ní Fhlaithbheartaigh An Bhl. /ˈao̞jfe̞ niː ˈfʰlajt̪ʰbʱe̞art̪ajgʱ/, Cualand Irish: /'iːfʲə nʲiː ˈl̪ˠahəɾˠt̪ˠɪɟ/ Ăn Yidiș and Hebrew: חמדה ני פֿל׳אַהארתּיהּ Cualand Ăn Yidiș /ˈχɛmt̪⁼ə nɪ ˈwahəʂʈ⁼ɪh/, Cualand Modern Hebrew /ˈχemda ni ˈlaherti/) is a Fishomian conlanger, video game composer and video game developer of Irish-Jewish descent. She is a native speaker of Cualand Ăn Yidiș, Irish, and English, is fluent in Șinach Netagin and Hebrew, and can read Mandarin, Classical Netagin, and Old Irish. She is a trans woman and a Reconstructionist Jew (not believing but moderately observant). She is best known for her game Méich Bhaonnáiqh (placeholdr name) and its associated conlang, An Bhlaoighne.

See also Verse:Schngellstein.

Conlangs

Aoife generally avoids Old Irish or Tigol aesthetics for fantasy languages because that's the default fantasy aesthetic in Tricin/CF Tricin; many of Aoife's languages are inspired by Hebrew, particularly in Méich Bhaonnáiqh

Fictional conworlds

Others

Early sketchlangs

  • Camalic --- A language family inspired by Literal Irish, Semitic/Idavic and Nurian

Video games

  • (something with Méich Bhaonnáiqh in it), a science fantasy RPG

Music

  • Wrote the soundtrack for Méich Bhaonnáiqh
  • works in many different tunings but mainly small edos and mosses and functional harmony using iso-differential chords as consonances
  • Suite on the Medieval Talman Pegol
  • A 3-part fugue in 8ed(3/2)
  • lots of 11edo, 13edo, 18edo, 26edo and 12ed3/2 pieces
    • Well-Tempered 13edo Clavier: 26 Preludes (some of them fugues or prelude+fugue) in 13edo
  • fav mos is 11edo's 4L 3s (fav mkdes 6|0, 5|1, 0|6), sometimes other mosses like antidiatonic, 5L 3s (the 7|0, 6|1, 5|2, 4|3 modes and some altered modes).
  • often multiple tunings in one song
  • melodic, not too dark, but not above bittersweetness
  • likes counterpoint (isn't really a thing in Talman or Tsarfati Jewish music)
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