138,759
edits
Line 170: | Line 170: | ||
*ABA (ternary) | *ABA (ternary) | ||
*ABABAB... (rondo) | *ABABAB... (rondo) | ||
**[A B1] [A B2] [A B3] .. | **[A B1] [A B2] [A B3]... | ||
C can sometimes be used, most commonly in | C can sometimes be used, most commonly in | ||
*ABABCB | *ABABCB | ||
===Liturgical music=== | |||
Music sung to liturgical poems (in [[Windermere]] and sometimes [[Tigol]]) often follows the structure of the poem. If the poem follows a refrain-verse structure, it uses a sort of a rondo form: | |||
[A B<sub>1</sub>] [A B<sub>2</sub>] [A B<sub>3</sub>]... | |||
where the B<sub>i</sub>'s are not necessarily all distinct. | |||
The same liturgical poem might use different melodies depending on the Mărotłite legal requirements. | |||
===Chamber music=== | ===Chamber music=== | ||
Chamber music was highly valued by Talmans. Pieces were commonly written for the Talman string quartet with two ''ðavr'', one '' | Chamber music was highly valued by Talmans. Pieces were commonly written for the Talman string quartet with two ''ðavr'', one ''ñams'' and one ''ñamsóm''. | ||
===Art songs=== | ===Art songs=== | ||
Line 218: | Line 225: | ||
===Tone poems=== | ===Tone poems=== | ||
==Notation== | ==Notation== | ||
===Gamut=== | ===Gamut=== |
edits