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** צאנה וּראינה ''Țeno Üreno'' (Biblical commentary for women written in Ăn Yidiș) | ** צאנה וּראינה ''Țeno Üreno'' (Biblical commentary for women written in Ăn Yidiș) | ||
** Tchinăs (individual non-liturgical prayers often meant to be said by women) | ** Tchinăs (individual non-liturgical prayers often meant to be said by women) | ||
* The Judeo-Gaelic Enlightenment (Ăn Yidiș אן לעאראקוס (קֿעל'אך) ''ăn Learăgis (Ghełăch)'', Heb. ההשכּלה הקאלית ''ha-Haskålå haq-Qålith'') was focused on discovering and consciously borrowing from an older Gentile Goidelic literary tradition and seeking out older Goidelic and other Celtic sources for new Ăn Yidiș words, mainly "cognatizations" or hypothetical Ăn Yidiș descendants and cognates of words in Old Irish and other Celtic languages. This helped Jews become literate in the Celtic literature that was part of the Gentile literary canon. The publication of an Old Irish grammar in Hebrew, as well as Torah and siddur translations into Classical Irish, created a boom of Gaelic-inspired literary activity in this period. Learăgis writers even rederived hypothetical synthetic verb forms and noun cases which were long since lost in Judeo-Gaelic, to streamline their Ăn Yidiș poetry and to consciously imitate older Gaelic, though these forms never caught on in common speech; this register is called | * The Judeo-Gaelic Enlightenment (Ăn Yidiș אן לעאראקוס (קֿעל'אך) ''ăn Learăgis (Ghełăch)'', Heb. ההשכּלה הקאלית ''ha-Haskålå haq-Qålith'') was focused on discovering and consciously borrowing from an older Gentile Goidelic literary tradition and seeking out older Goidelic and other Celtic sources for new Ăn Yidiș words, mainly "cognatizations" or hypothetical Ăn Yidiș descendants and cognates of words in Old Irish and other Celtic languages. This helped Jews become literate in the Celtic literature that was part of the Gentile literary canon. The publication of an Old Irish grammar in Hebrew, as well as Torah and siddur translations into Classical Irish, created a boom of Gaelic-inspired literary activity in this period. Learăgis writers even rederived hypothetical synthetic verb forms and noun cases which were long since lost in Judeo-Gaelic, to streamline their Ăn Yidiș poetry and to consciously imitate older Gaelic, though these forms never caught on in common speech; this register is called ''ăn Fhilichdiș'', after the Classical Irish word for poetry (lost in Ăn Yidiș), ''filidheacht''. | ||
** Among the best-known Ăn Yidiș works from this phase is ___ by Mănachăm mac Ățieni, a very long satirical ''filif-bharz'' (a genre of poetry modeled after Irish bardic poems) about society (both religious-Jewish and Gentile) at the time. | ** Among the best-known Ăn Yidiș works from this phase is ___ by Mănachăm mac Ățieni, a very long satirical ''filif-bharz'' (a genre of poetry modeled after Irish bardic poems) about society (both religious-Jewish and Gentile) at the time. | ||
* Post-Learăgis writers, as well as traditionally religious Gaelic Jews, criticized the new Gaelic loans and other Bardiș features as not being authentically Ăn Yidiș. | * Post-Learăgis writers, as well as traditionally religious Gaelic Jews, criticized the new Gaelic loans and other Bardiș features as not being authentically Ăn Yidiș. | ||