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* 6eld3/2: 18/18, 18/17, ..., 18/12 | * 6eld3/2: 18/18, 18/17, ..., 18/12 | ||
As scales are viewed as colorings of the tones of speech, a form of chord-scale theory is fundamental to the Zzean tradition. | |||
=== 2/1-equivalent === | === 2/1-equivalent === | ||
=== 3/2-equivalent === | === 3/2-equivalent === | ||
=== Other === | === Other === | ||
Revision as of 04:28, 9 May 2023
Owing in part to the large number of tones in the Zzean language, how Zzeans perform and view music radically differs from mainstream Western culture.
For Zzeans, non-"tonal" elements such as rhythm, ornamentation, and scale choice are vital for distinguishing monophonic singing from normal speech. Choral vocal music that uses big block chords is wordless; polyphonic word-ful singing is used in specialized contexts.
The boundary between vocal and instrumental music in Zzean culture is somewhat ill-defined, as pitched instruments can "speak" by imitating the tones of speech. One can also choose to play instruments in a more "relaxed" or "conversational" manner by playing in speech-like contours rather than song-like ones, an option also available for voice.
Forms and styles
Zzean singing traditions include:
- an intoned singing tradition
- hiphop/rap (speech with stylized rhythm and sometimes autotune)
- a religious chanting tradition with much ornamentation
- musical theater that seamlessly alternates between song and speech
- formal speeches may be delivered as songs accompanied by instruments
- something really weird and independent from Cuam music's weirdness
- Begins from Ancient Zzean secret societies?
Instruments
- a shruti box that plays 5-note drones for guiding singing
- "talking" pitched instruments: drums, flutes, fretless bowed and plucked strings
- a monochord/bass drone to reinforce the tonic of a scale (because the melody might not tonicize it)
Scales
Zzean music is abstractly based on a pentatonic framework, onto which the five tone levels of Zzean are mapped. The tonic of a scale can be any of the 5 level tones. Seven-note scales are viewed as ways to ornament 5-note scales. However, not all Zzean pentatonic scales are octave-equivalent.
Traditional Zzean scales are not based on an equal tuning or the overtone series, but from 12 equal string length divisions of the octave or 6 equal string length divisions of the Pythagorean fifth. These scales are:
- 12eldo: 24/24, 24/23, ..., 24/12
- 6eld3/2: 18/18, 18/17, ..., 18/12
As scales are viewed as colorings of the tones of speech, a form of chord-scale theory is fundamental to the Zzean tradition.