Modern Gothic
| Modern Gothic | |
|---|---|
| Gusenskius, Gusskus | |
| Pronunciation | [[Help:IPA|[[ˈgu.səns.kys] [ˈgʊsː.kʊs]]]] |
| Created by | sjacik |
| Setting | Yrof Unnamed Alternate Timeline MLP AU |
| Native to | Seefirian Kingdom, Gothia, Windish Atheldom |
| Ethnicity | Seefir, Human, Pegasus |
Indo-European
| |
Early form | |
| Official status | |
Official language in | Seefirian Kingdom Gothia Windish Atheldom |
Modern Gothic, Gusenskius, is an East Germanic language descended from a language similar to Biblical Gothic. Most words will be given in Standard Modern Gothic and Colloquial Modern Gothic.
Settings
Modern Gothic is used in three different settings. The first is Yrof. Yrof is a fantasy world. The next is an alternate timeline where the Ostrogoths survived as a culture to the modern day. The last is a My Little Pony alternate universe called Constraints on Harmony.
Dialects
There are 6 main dialects of Modern Gothic. These are divided into 3 branches: Coastal, Eastern, and Southern. Coastal is comprised of the Standard form of the language, the Northern varieties, and some that are related to the standard form.
Eastern is divided into Near and Far. Far Eastern Gothic has heavy Slavic influence, such as both stages of Slavic palatalization. Near Eastern Gothic only went through the second stage.
Southern Gothic has a lot Greek influences. It is the most conservative of all the dialects.
Sound changes from Biblical Gothic to Middle Gothic
The most prominent change of the coastal varieties of Modern Gothic is how /h w/ affected the vowels. /w/ caused rounding, and /h/ caused lowering/backing. Before this happened, metathesis from liquid + /h/ clusters occured.
| Original | Change | Environment | Exception | Comment |
|---|---|---|---|---|
| kʷ | kw | (C)_V | ||
| kʷ | wk | V_(C) | ||
| rh | hr | V_(C) | ||
| hr | rh | (C)_V | ||
| lh | hl | V_(C) | ||
| hl | lh | (C)_V | ||
| ha | ɑ | |||
| hɛ | a | |||
| hi | e | |||
| hu | o | |||
| hɔ | ɑ | |||
| haː | ɑː | |||
| hɛː | aː | |||
| heː | ɛː | |||
| hiː | eː | |||
| huː | oː | |||
| hoː | ɔː | |||
| hɔː | ɑː | |||
| wa | ɔ | |||
| wɛ | œ | |||
| wi | y | |||
| wu | u | |||
| wɔ | ɔː | |||
| wɑ | ɔː | |||
| waː | ɔː | |||
| wɛː | œː | |||
| weː | øː | |||
| wiː | yː | |||
| wuː | uːː | |||
| woː | oːː | |||
| wɔː | ɔːː | |||
| wɑː | ɔː | |||
| ah | ɑː | |||
| ɛh | aː | |||
| ih | eː | |||
| uh | oː | |||
| ɔh | ɑː | |||
| aːh | ɑːː | |||
| ɛːh | aːː | |||
| eːh | ɛːː | |||
| iːh | eːː | |||
| uːh | oːː | |||
| oːh | ɔːː | |||
| ɔːh | ɑːː | |||
| aw | ɔː | |||
| ɛw | œː | |||
| iw | yː | |||
| uw | uː | |||
| ɔw | ɔː | |||
| ɑw | ɔː | |||
| aːw | ɔːː | |||
| ɛːw | œːː | |||
| eːw | øːː | |||
| iːw | yːː | |||
| uːw | uːː | |||
| oːw | oːː | |||
| ɔːw | ɔːː | |||
| ɑːw | ɔːː | |||
| mn | mː | |||
| pː | ʔ, p | , _C | The first outcome occurs in the north, while the second happens in the southern dialects. | |
| tː | ʔ, t | , _C | The first outcome occurs in the north, while the second happens in the southern dialects. | |
| kː | ʔ, k | , _C | The first outcome occurs in the north, while the second happens in the southern dialects. |
Coastal Gothic also went through a variant of the first two stages of the High German Consonant Shift, but the results varied between the north and the south. In the north, it closely followed the Bavarian dialects of German.
Standard New Gothic
Phonology
Consonants
| Labial | Coronal | Dorsal | Glottal | |
|---|---|---|---|---|
| Nasal | m | n | (ŋ)1 | |
| Stop | p2 b | t2 d | k2 g | |
| Affricate | tʃ dʒ | |||
| Fricative | f v3 | t s ʃ ʒ | x | h4 |
| Approximant | j | |||
| Trill | r |
1 /ŋ/ is found only before the velar stops
2 The voiceless stops are unaspirated
3 /v/ is realized as [w] intervocally
4 /h/ is only found between vowels, and is used to break up vowel sequences
Vowels
| Front | Central | Back | |
|---|---|---|---|
| Close | i iː iə̯ y yː yə̯ | u uː uə̯ | |
| Close-mid | eː eə̯ øː øə̯ | oː oə̯ | |
| Open-mid | ɛ ɛː ɛə̯ œ œː œə̯ | ə | ɔ ɔː ɔə̯ |
| Open | a aː aə̯ | ɑ ɑː ɑə̯ |
The centering diphthongs come from overlong vowels in Middle Gothic. No surviving dialect kept them as overlong. They were either broken or shortened.