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Verse:Hmøøh/Suwáábyíq/Music: Difference between revisions
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===Tuning=== | ===Tuning=== | ||
The Sjowaázh tradition takes a purely melodic, rather than harmonic, approach to tuning, unlike the [[Verse:Tricin/Talma/Music|Talman]] and [[Verse:Tricin/Bjeheond/Music|Bjeheondian]] traditions. Traditionally, the building blocks of Sjowaázh scales are tetrachords or pentachords, i.e. divisions of the perfect fourth into three or four intervals. Innovations over the years have led to finer divisions or "n-chords" of the perfect fourth being used in | The Sjowaázh tradition takes a purely melodic, rather than harmonic, approach to tuning, unlike the [[Verse:Tricin/Talma/Music|Talman]] and [[Verse:Tricin/Bjeheond/Music|Bjeheondian]] traditions. Traditionally, the building blocks of Sjowaázh scales are tetrachords or pentachords, i.e. divisions of the perfect fourth into three or four intervals. Innovations over the years have led to finer divisions or "n-chords" of the perfect fourth being used in elite music. Nevertheless, steps in any n-chord are no smaller than about 50 cents. | ||
The general term for a division of the fourth in Sjowaázh is ''hañbaáj'' (pl. ''hañbaajín''). | The general term for a division of the fourth in Sjowaázh is ''hañbaáj'' (pl. ''hañbaajín''). | ||