139,486
edits
Glommish/Musical system: Difference between revisions
m
→Lõisian composers and theorists
Tags: Mobile edit Mobile web edit |
Tags: Mobile edit Mobile web edit |
||
| Line 51: | Line 51: | ||
*Ancz-Sievrien '''Béþь''', early medieval author of ''Ān þieraj mūsičaj'' (On Music) | *Ancz-Sievrien '''Béþь''', early medieval author of ''Ān þieraj mūsičaj'' (On Music) | ||
*Marczel '''Myna''', medieval tuning theorist who proposed a division of the whole tone into 5 | *Marczel '''Myna''', medieval tuning theorist who proposed a division of the whole tone into 5 | ||
* | *Þyprík '''[something Brusingian]''', medieval composer of isorhythmic motets | ||
*Andrie '''Víþienhym''', founder of the ''Smœ̄hcroft'' movement in medieval music featuring complex rhythmic, harmonic and notational devices | *Andrie '''Víþienhym''', founder of the ''Smœ̄hcroft'' movement in medieval music featuring complex rhythmic, harmonic and notational devices | ||
*Fráþvin '''Lióbacz''', Thedish ''Smœ̄hcroft'' composer, famous for his [suite] featuring ''klózele'' in various equal temperaments (from 10 to 20 notes per octave) | *Fráþvin '''Lióbacz''', Thedish ''Smœ̄hcroft'' composer, famous for his [suite] featuring ''klózele'' in various equal temperaments (from 10 to 20 notes per octave) | ||