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Prăfin disliked modern Talman music, and by extension, everything since the Romantic period, since he saw the whole tradition as encouraging elitism. He disapproved of major Talman composers such as Sáengeor, Sgutsis, and Drjangdhae, and theoretical constructs such as regular temperaments. As a reaction to these trends, Prăfin became an exponent of the Expressionist (placeholder name) movement in Talma. His later works were inspired by various traditional musics all over Tricin, including Dodellia and Txapoalli. He's also one of the most prolific non-Fyxoomian composers for the ''aġġiakkātą''. | Prăfin disliked modern Talman music, and by extension, everything since the Romantic period, since he saw the whole tradition as encouraging elitism. He disapproved of major Talman composers such as Sáengeor, Sgutsis, and Drjangdhae, and theoretical constructs such as regular temperaments. As a reaction to these trends, Prăfin became an exponent of the Expressionist (placeholder name) movement in Talma. His later works were inspired by various traditional musics all over Tricin, including Dodellia and Txapoalli. He's also one of the most prolific non-Fyxoomian composers for the ''aġġiakkātą''. | ||
Languages: Windermere (native), Shalaian (somewhat fluent) | Languages: Windermere (native), Shalaian (somewhat fluent), Pategian (academic) | ||
==Musical pieces== | ==Musical pieces== |
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