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'''Bjeheondian music''' is a monophonic tradition based on [[Netagin]] music. In modern times it is usually notated based on 19 equal divisions of the octave (19edo), however real-world intonational practices differ by region and context. Liturgical and folk music is usually based on scales similar to the semiquartal (5L 4s MOS) scale, the nine-note scale 331313131 which is an extension of the familiar pentatonic scale. | '''Bjeheondian music''' is a monophonic tradition based on [[Netagin]] music. In modern times it is usually notated based on 19 equal divisions of the octave (19edo), however real-world intonational practices differ by region and context. Liturgical and folk music is usually based on scales similar to the semiquartal (5L 4s MOS) scale, the nine-note scale 331313131 which is an extension of the familiar pentatonic scale. Diatonic-like melodic shapes sometimes arise as a consequence of altering the semiquartal scale. | ||
Folk music is not fixed to a particular tuning and may use traditional microtonal inflections or fine-tuned intervals. | Folk music is not fixed to a particular tuning and may use traditional microtonal inflections or fine-tuned intervals. | ||
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Some important modern ''hanier'' artists include composers Baqůr Dygieč and Qypaš Nabak and singer Stow fa Fitsmil. Some modern composers have introduced hanier counterpoint. | Some important modern ''hanier'' artists include composers Baqůr Dygieč and Qypaš Nabak and singer Stow fa Fitsmil. Some modern composers have introduced hanier counterpoint. | ||
== Instruments == | == Instruments == | ||
Basically maqam instruments | Basically maqam instruments | ||