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Verse:Irta/Music: Difference between revisions
→Carnatic music
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*Unlike in our timeline, the esraj (held vertically) is used instead of the violin. | *Unlike in our timeline, the esraj (held vertically) is used instead of the violin. | ||
*Some ragas are sung differently, for example ''Madhyamāvati'' uses the natural 7th instead of the flat 7th as in our timeline, ''Bhairavi'' is consistently sung with the flat 6th, and ''Ābhogi'' is sung with a flat 6th instead of a natural 6th. | *Some ragas are sung differently, for example ''Madhyamāvati'' uses the natural 7th instead of the flat 7th as in our timeline, ''Bhairavi'' is consistently sung with the flat 6th, and ''Ābhogi'' is sung with a flat 6th instead of a natural 6th. | ||
*There are some ragas not found in our timeline's Carnatic music like ''Sabhā'' (an adaptation of maqam Saba). | *There are some ragas not found in our timeline's Carnatic music like ''Sabhā'' (an adaptation of maqam Saba) and ''Desikasrī'' (adapted from the Hindustani raga Shree). | ||
*Certain ragas like ''Kharaharapriyā'' are not as common as in our timeline but others like ''Dēvāmṛtavarṣiṇi'' are more common | *Certain ragas like ''Kharaharapriyā'' are not as common as in our timeline but others like ''Dēvāmṛtavarṣiṇi'' are more common | ||
*Some ragas go by different names like the 21st melakarta is known as ''Parambodhi'' instead of ''Kīravāṇi'', and the 32nd melakarta is known as ''Khagavāhini'' instead of ''Rāgavardhini''. | *Some ragas go by different names like the 21st melakarta is known as ''Parambodhi'' instead of ''Kīravāṇi'', and the 32nd melakarta is known as ''Khagavāhini'' instead of ''Rāgavardhini''. | ||