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Interestingly this results in Irtan Western classical music being thought of as one of the prominent microtonal world traditions and there are various myths across Irta about the number of notes in Western music, 35 being a commonly cited number. | Interestingly this results in Irtan Western classical music being thought of as one of the prominent microtonal world traditions and there are various myths across Irta about the number of notes in Western music, 35 being a commonly cited number. | ||
====Artistic movements==== | ====Artistic movements and composers==== | ||
The Second Viennese school isn't a thing in Irta; the equivalent is a resurgence of modes. | The Second Viennese school isn't a thing in Irta; the equivalent is a resurgence of modes. | ||
The most popular 19th century Western composer in Irta is Mahi Dliu, who was also a cello virtuoso. She wrote over 50 string quartets, 6 cello suites and several concerti for cello and string ensemble. | |||
== Arabic == | == Arabic == | ||