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Verse:Irta/Music: Difference between revisions
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Many composers in Irta regard fixed pitch instruments as inadequate for capturing the nuances of intonation, and these composers mostly write for strings, voice, and trombone. Some developed cross-fingering techniques for woodwinds to better approximate expressive intonation. | Many composers in Irta regard fixed pitch instruments as inadequate for capturing the nuances of intonation, and these composers mostly write for strings, voice, and trombone. Some developed cross-fingering techniques for woodwinds to better approximate expressive intonation. | ||
Interestingly this results in Irtan Western classical music being thought of as one of the prominent microtonal world traditions and there are various myths across Irta about the number of notes in Western music, 35 being | Interestingly this results in Irtan Western classical music being thought of as one of the prominent microtonal world traditions and there are various myths across Irta about the number of notes in Western music, 21 and 35 being commonly cited numbers because of the notation system. | ||
====Artistic movements and composers==== | ====Artistic movements and composers==== | ||
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The most popular 19th century Western composer in Irta is Mahi Driu, who was also a cello virtuoso. She wrote over 50 string quartets, 6 cello suites and several concerti for cello and string ensemble. | The most popular 19th century Western composer in Irta is Mahi Driu, who was also a cello virtuoso. She wrote over 50 string quartets, 6 cello suites and several concerti for cello and string ensemble. | ||
Other prominent | Other prominent figures: | ||
*Utvan Okyv, operatic composer | *Utvan Okyv, operatic composer | ||
*Arexudh Šarie, violinist and composer of caprices | *Arexudh Šarie, violinist and composer of caprices | ||
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**Irta's Chopin -- of Riphean origin (birth name Zenevīve Antōnastukte); famous for writing adaptations of Riphean folk dances as well as Riphean-inspired violin music | **Irta's Chopin -- of Riphean origin (birth name Zenevīve Antōnastukte); famous for writing adaptations of Riphean folk dances as well as Riphean-inspired violin music | ||
*Krod Erfebh, composer of symphonies | *Krod Erfebh, composer of symphonies | ||
*___ Kim, ethnomusicologist and author of a treatise | |||
== Arabic == | == Arabic == | ||