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Riphean/Music: Difference between revisions
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The Nōje Niđjaste movement had a transformative effect on Riphean music and resulted in the creation of a new folk style, believed by most Ripheans to be a revival of an older style. The first emergence of avant-garde music in Irta Europe was a result of this movement, with Riphean composers during the Internalist era eschewing older forms. Internalist eclecticism was very much apparent in Riphean music too, with composers drawing from Azalic, Persian and even Chinese music, and both Riphean and Azalic diasporas in Irta America have contributed to the popularity of the Azalic flamenco works of Redwen Arantzazumab. | The Nōje Niđjaste movement had a transformative effect on Riphean music and resulted in the creation of a new folk style, believed by most Ripheans to be a revival of an older style. The first emergence of avant-garde music in Irta Europe was a result of this movement, with Riphean composers during the Internalist era eschewing older forms. Internalist eclecticism was very much apparent in Riphean music too, with composers drawing from Azalic, Persian and even Chinese music, and both Riphean and Azalic diasporas in Irta America have contributed to the popularity of the Azalic flamenco works of Redwen Arantzazumab. | ||
A well-known Riphean Internalist composer is Lule Vrijastukte, whose works include ''Crosstalk'' for cello solo. | A well-known Riphean Internalist composer is Lule Vrijastukte, whose works include ''Crosstalk'' for cello solo and ''Sequence'', a suite of solo pieces for various instruments (analogous to Berio's Sequenza in our timeline). | ||
==Influence== | ==Influence== | ||