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Verse:Irta/Music: Difference between revisions
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== Western European music == | == Western European music == | ||
Three distinct classical styles emerge in Western Europe in Irta, all of which are popular. The first two arise directly out of Remonitionism -- the style that arises from the First Remonition is a neo-medievalism | Three distinct classical styles emerge in Western Europe in Irta, all of which are popular. The first two arise directly out of Remonitionism -- the style that arises from the First Remonition is a neo-medievalism developed by John Wellwise, inspired by various Italic-speaking cultures as well as Tsarfati Jewish music. Second Remonitionist music is much more like our timeline's Western music and influenced musical cultures in Cualand. | ||
=== Irta Baroque === | === Irta Baroque === | ||
A neo-medievalist movement which develops in France, Spain and Italy, "what if Baroque used 17edo/17wt" | A neo-medievalist movement which develops in France, Spain and Italy, "what if Baroque used 17edo/17wt" | ||
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2-part counterpart likes resolving to fifths and uses tons of Machaut cadences (Eb-G -> D-A, Ed-Gt -> D-A, E-G# -> D-A) | 2-part counterpart likes resolving to fifths and uses tons of Machaut cadences (Eb-G -> D-A, Ed-Gt -> D-A, E-G# -> D-A) | ||
Nowadays First Remonitionist styles are much more popular in Riphea | Nowadays First Remonitionist styles are much more popular in Riphea and Remonitionist colonies in Polynesia. | ||
John Wellwise /wɛlɪz/ is the counterpoint guy (interpreting "Fuxian" as Mandarin 富賢) | John Wellwise /wɛlɪz/ is the counterpoint guy (interpreting "Fuxian" as Mandarin 富賢) | ||