Literature talk:Little Red Riding Hood: Difference between revisions

m
Line 29: Line 29:
         E\|        B\|
         E\|        B\|


Coincidentally, the major third was a leading tone to F and the major seventh was a major third to G! Thus eventually leading tones were added under each note of the equal pentatonic scale, forming:
Coincidentally, the major third was a leading tone to F and the major seventh was a major third to G! Thus exploiting this fact, leading tones were successively added under each note of the equal pentatonic scale, eventually resulting in:


  C  D  F  G  A  C
  C  D  F  G  A  C
     D\| E\| G\| A\| B\|
     D\| E\| G\| A\| B\|


===Development===
===Development===
===Modern===
===Modern===
Modern renditions of canonical Wiobian traditional music often default to 15 tone equal temperament; that is, every step of the 15-note scale is spaced exactly equally. However, historically the tuning had more nuances.
Modern renditions of canonical Wiobian traditional music often default to 15 tone equal temperament; that is, every step of the 15-note scale is spaced exactly equally. However, historically the tuning had more nuances.
139,285

edits