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(Many of her “high-level” tempo markings and staff directions are in her native Eevo – while “low-level” ones such as dynamics markings remain in Windermere.) | (Many of her “high-level” tempo markings and staff directions are in her native Eevo – while “low-level” ones such as dynamics markings remain in Windermere.) | ||
Sgutsitn's works often use regular temperaments, in addition to works that use just intonation as in traditional Etalocian music. She also authored a classic textbook on regular temperaments, though she herself did not invent the notion. | Sgutsitn's works often use regular temperaments (including meantone), in addition to works that use just intonation as in traditional Etalocian music. She also authored a classic textbook on regular temperaments, though she herself did not invent the notion. | ||
==Bibliography== | ==Bibliography== |
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