7,723
edits
Glommish/Musical system: Difference between revisions
→Lõisian composers and theorists
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*Ancz-Sievrien '''Béþь''', early medieval author of ''Ãn θieraii mũsicaii'' (On Music) | *Ancz-Sievrien '''Béþь''', early medieval author of ''Ãn θieraii mũsicaii'' (On Music) | ||
*Marczel '''Myna''', medieval tuning theorist who proposed a division of the whole tone into 5 | *Marczel '''Myna''', medieval tuning theorist who proposed a division of the whole tone into 5 | ||
*Þyprík ''' | *Þyprík '''Miþerdát''', medieval composer of isorhythmic motets | ||
*Finlay '''Henderson''', founder of the ''Smēahcræft'' movement in medieval music featuring complex rhythmic, harmonic and notational devices | *Finlay '''Henderson''', founder of the ''Smēahcræft'' movement in medieval music featuring complex rhythmic, harmonic and notational devices | ||
*Fráþvin '''Lióbacz''', Thedish ''Smēahcræft'' composer, famous for his [suite] featuring ''klózele'' in various equal temperaments (from 10 to 20 notes per octave) | *Fráþvin '''Lióbacz''', Thedish ''Smēahcræft'' composer, famous for his [suite] featuring ''klózele'' in various equal temperaments (from 10 to 20 notes per octave) | ||
*(anonymous), author of ''Hlioþrъharpa'', an elaborate 4-part canon written in the shape of a harp | *(anonymous), author of ''Hlioþrъharpa'', an elaborate 4-part canon written in the shape of a harp | ||