Glommish/Musical system: Difference between revisions

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żard = maqam
żard = maqam


==Lõisian composers and theorists==
Maqam names used in Thedish music aren't translated: Rástı, Bajátı, Ażem, Kurdı, Sieká, Sabe, Hiżáz, Nahavend


*Ancz-Sievrien '''Béþь''', early medieval author of ''An mūsikej'' (On Music)
sometimes they use ''dur'' and ''mól'' instead of Ażem and Nahavend
*Hymarík '''Myna''', medieval tuning theorist who proposed a division of the whole tone into 5
 
*Þyprík '''[something Brusingian]''', medieval composer of isorhythmic motets
===Common musical forms===
*Andrie '''Hóchenhym''', founder of the ''Smœ­̄hcroft'' movement in medieval music featuring complex rhythmic, harmonic and notational devices
 
*Valþerь '''av þier Fugelvyþe''', Middle Thedish ''miénesimberь'' who wrote love and political songs
furgang = bashraf; prelude
*Fráþvin '''Lióbacz''', Thedish ''Smœ­̄hcroft'' composer, famous for his [suite] featuring ''klózele'' in various equal temperaments (from 10 to 20 notes per octave)
 
*(anonymous), author of ''Hlioþrъharpa'', an elaborate 4-part canon written in the shape of a harp
fiól = dulab; rondo
*Filiep '''Glaz'''
 
*Biarhard '''Ytfield'''
útþank = taqsim; impromptu
 
lióþ = song
 
lióþer = melody (from *hleu-þrą <- PIE *klew-trom)
 
==Styles==
 
===Thedish opera===
Very similar to Italian opera and often written in "Theditalian", a form of Italian with Germanic syntax; some modern composers write operas in Arabic and Persian
 
===Hybrid musical forms===
Contemporary Thedish music incorporates both Arab and European influences; for instance symphonies are written in maqams
 
==Thedish musicians==
 
[to revamp]
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