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*'''''tanóo'tłamid''''' ([[Shalaian]] for 'immersion' or 'submersion'): attachment or passion that one experiences for one's personal deity, often with the implication of a feeling of fusing into one with the god. Similar to the Kabbalistic concept of ''devekut''. | *'''''tanóo'tłamid''''' ([[Shalaian]] for 'immersion' or 'submersion'): attachment or passion that one experiences for one's personal deity, often with the implication of a feeling of fusing into one with the god. Similar to the Kabbalistic concept of ''devekut''. | ||
==U== | ==U== | ||
*'''''useerí'na''''' (pl. ''useerí'ni'', literally 'beautification [of a prayer]'): A [[Shalaian]] liturgical poem Melodies for ''useerí'ni'' are set to either a solo voice with accompaniment or a choir/a cappella; they are in some ways similar to Ashkenazi Jewish liturgical melodies but employ more exotic tunings (like JI and 31-tone equal temperament) and rhythms (such as Scotch snaps). | *'''''useerí'na''''' (pl. ''useerí'ni'', literally 'beautification [of a prayer]'): A [[Shalaian]] liturgical poem. Melodies for ''useerí'ni'' are set to either a solo voice with accompaniment or a choir/a cappella; they are in some ways similar to Ashkenazi Jewish liturgical melodies but employ more exotic tunings (like JI and 31-tone equal temperament) and rhythms (such as Scotch snaps). ''Kaléera'', or art songs, set to those liturgical poems also exist. | ||
==Y== | ==Y== | ||
*'''Yiddish''': [[Judeo-Gaelic]]. | *'''Yiddish''': [[Judeo-Gaelic]]. | ||