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-Owing in part to the large number of tones in the Zzean language, how Zzeans perform and view music radically differs from mainstream Western culture.
-For Zzeans, non-"tonal" elements such as rhythm, ornamentation, and scale choice are vital for distinguishing monophonic singing from normal speech. Choral vocal music that uses big block chords is wordless; polyphonic word-ful singing is used in specialized contexts.
-The boundary between vocal and instrumental music in Zzean culture is somewhat ill-defined, as pitched instruments can "speak" by imitating the tones of speech. One can also choose to play instruments in a more "relaxed" or "conversational" manner by playing in speech-like contours rather than song-like ones, an option also available for voice.
-== Forms and styles ==
-Zzean singing traditions include:
-* an intoned singing tradition
-* hiphop/rap (speech with stylized rhythm and sometimes autotune)
-* a religious chanting tradition with much ornamentation
-* some weird form of musical theater?
-* singsongified formal speeches
-* something really weird and independent from [[Cuam]] music's weirdness
-** Begins from Ancient Zzean secret societies?
-== Instruments ==
-* a shruti box that plays 5-note drones for guiding singing
-* "talking" pitched instruments: drums, flutes, trombones and fretless bowed strings
-* a monochord/bass drone to reinforce the tonic of a scale (because the melody might not tonicize it)
-== Scales ==
-Zzean music is abstractly based on a pentatonic framework, onto which the five tone levels of Zzean are mapped. The tonic of a scale can be any of the 5 level tones. Seven-note scales are viewed as ways to ornament 5-note scales. However, not all Zzean pentatonic scales are octave-equivalent.
-=== 2/1-equivalent ===
-=== 3/2-equivalent ===