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The Trician musical traditions could be classified roughly as follows. (See individual subpages for more info.) | The Trician musical traditions could be classified roughly as follows. (See individual subpages for more info.) | ||
* | * Meantone temperament (penta or diatonic; I-vi-ii-V-I important): Clofabian | ||
* | * Sharp-fifth tunings: Dodellian | ||
* | * Low-complexity just intonation (overtone or undertone series based, combination product sets and CS's) or quasi ji edos: classical Talman, popular Fyxoom | ||
*ajnas | * Tetrachords and ajnas: Sowáar, bjeheondian | ||
* | * Equal division of the fifth: naquosphere | ||
*scales | * Small inharmonic scales (slendro and pelog and quasi 7edo): onishia | ||
*JI-agnostic small edos: modern experimental | * JI-agnostic small edos: modern experimental | ||
* | * Primodality: modern experimental | ||
Modern Talmosphere art music is more of a mixture between JI, meantone and a particular kind of style that contrasts beating with solidly consonant stability. | Modern Talmosphere art music is more of a mixture between JI, meantone and a particular kind of style that contrasts beating with solidly consonant stability. | ||