Verse:Hmøøh/Bjeheond/Music: Difference between revisions

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Instruments typically used for harmony and polyphony, in addition to the voice, are mountain dulcimers, tubulongs, marimbas of various kinds, guitars, reed organs of various kinds, pipe organs, zithers, and steelpans. These are typically tuned to either a 26 tone 7 limit scale, or a 34 tone 11 limit scale. Flexible pitch instruments are also used, such as the violin family (borrowed from Hlou music), the musical saw, and the Crychord.
Instruments typically used for harmony and polyphony, in addition to the voice, are mountain dulcimers, tubulongs, marimbas of various kinds, guitars, reed organs of various kinds, pipe organs, zithers, and steelpans. These are typically tuned to either a 26 tone 7 limit scale, or a 34 tone 11 limit scale. Flexible pitch instruments are also used, such as the violin family (borrowed from Hlou music), the musical saw, and the Crychord.


===''Tsoafley''===
===''Tsoaf-tălea''===
Hlou influence on Windermere music in the Wieb region of Bjeheond led to the development of a uniquely Bjeheondian tradition of purely rhythmic music, called ''tsoafley'' (from Windermere ''tsoaf'' 'game, play' + Hlou ''Lei''), played almost exclusively on percussion instruments. But violin family instruments were adapted to this style; performers would strike different parts of their instruments with their fingers, and tune the strings so low that they hit against the fingerboard producing a loud percussive effect. The rhythms used were often extremely fast and complicated and polyrhythms were common.
Hlou influence on Windermere music in the Wieb region of Bjeheond led to the development of a uniquely Bjeheondian tradition of purely rhythmic music, called ''tsoaf-tălea'' (from Windermere ''tsoaf'' 'game, play' + ''tălea'', a translation for the Hlou ''Lei''), played almost exclusively on percussion instruments. But violin family instruments were adapted to this style; performers would strike different parts of their instruments with their fingers, and tune the strings so low that they hit against the fingerboard producing a loud percussive effect. The rhythms used were often extremely fast and complicated and polyrhythms were common.


''Tsoafley'' in the Romantic era was thought of primarily as a sport rather than a musical style, and many ''tsoafley'' artists became cultural icons.
''Tsoaf-tălea'' in the Romantic era was thought of primarily as a sport rather than a musical style, and many ''Tsoaf-tălea'' artists became cultural icons.


===Famous musicians===
===Famous musicians===
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