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=Neoclassicism= | =Neoclassicism= | ||
In modern times, Neoclassicism emerged as a dissident movement in both Fyxoom and Talma (in Fyxoom, as a reaction to the perceived "shallowness" of Populism; in Talma, as a reaction to hyper-academic music). | In modern times, Neoclassicism emerged as a dissident movement in both Fyxoom and Talma (in Fyxoom, as a reaction to the perceived "shallowness" of Populism; in Talma, as a reaction to hyper-academic music). | ||
Fyxoom has its own offshoot of Windermere music as well. Some styles that fell out of use in Talma are still commonly performed in Pategia, such as the song with intoning voice (''gawl jyþmeer''). | |||
===Fjudxéra Serñ school=== | |||
Rough timeline: | |||
50 years before present: Styles very similar to minimalism and ambient music emerge in Fjudxera Serñ. Pieces composed by the Thamrona school around that time can stretch for over 5 hours. | |||
30 years BP: People have enough of that style and rebel, creating some of the most wildly dissonant music in Tricin (sometimes using crazy equal temperaments). | |||
25 years BP: Minimalism makes a comeback in a slightly more "folksy" form (pieces are shorter etc.) The (''Brycþeñ Frindu Jydylisriz'' "Experimental Music Society") forms a branch in Fjudxera Serñ, led by Schaus-Schaus Flein. More fully acoustic pieces are written in the last 25 years. | |||
===Fyxoomian minimalism=== | |||
Minimalist pieces from the Fjudxera Serñ school, ironically, have some of the most complex harmonic progressions in Trician music. One famous piece, ???, has over a hundred chord progressions, each modulating up by a microcomma. | |||
===Fyxoomian postminimalism=== | |||
Fyxoomian musical compositions from the last three decades often revolve around polyrhythms. | |||
=Notation= | =Notation= | ||