Verse:Hmøøh/Rewhd Sgutsis: Difference between revisions

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Scutzis was born in the city of Flian, [[Verse:Tricin/Amphir|Amphir]] to a family of Swutsim descent as the second of three children. Her father was the physicist and composer Afhnin Aśew, who was professor of physics in the University of Flian. Her mother, Chwafha Scutzis (adapted from Talman Swutsim ''Scütsis''), was a classical ''ðavr'' player and music teacher. Her mother's brother, Mugifh Ytśude, was a ''jogóm'' player.
Scutzis was born in the city of Flian, [[Verse:Tricin/Amphir|Amphir]] to a family of Swutsim descent as the second of three children. Her father was the physicist and composer Afhnin Aśew, who was professor of physics in the University of Flian. Her mother, Chwafha Scutzis (adapted from Talman Swutsim ''Scütsis''), was a classical ''ðavr'' player and music teacher. Her mother's brother, Mugifh Ytśude, was a ''jogóm'' player.


A child prodigy, Rochth was taught the ''ðavr'' and math from a young age. She once rediscovered the concept of cross-sets from looking at a multiplication table. She was allowed to skip boarding school and to enroll in the University of Flian in math at age 10 by taking an entrance exam. She was an exceptionally gifted student and graduated in mathematics and music with honors at age 16 (fT 2052).  
A child prodigy, Rochth was taught the ''ðavr'' and math from a young age. She once rediscovered just intonation cross-sets from looking at a multiplication table. She was allowed to skip boarding school and to enroll in the University of Flian in math at age 10 by taking an entrance exam. She was an exceptionally gifted student and graduated in mathematics and music with honors at age 16 (fT 2052).  


After graduating, Scutzis studied composition and instrumentation with [Amphirese composer]. At this time she began corresponding with a number of Amphirese and Rhythoed composers, musicians and theorists to exchange ideas about music. Much of her theoretical work took place within these letters.
After graduating, Scutzis studied composition and instrumentation with [Amphirese composer]. At this time she began corresponding with a number of Amphirese and Rhythoed composers, musicians and theorists to exchange ideas about music. Much of her theoretical work took place within these letters.
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